Showing posts with label clay. Show all posts
Showing posts with label clay. Show all posts

Thursday, May 5, 2022

Cinco de Mayo with StencilGirl® Stencils

Hi, everyone! Laurie Mika here! Today is Cinco de Mayo, the fifth of May, which is a celebration of the Mexican Army’s victory over the French at the Battle of Puebla on this date in 1862. While the holiday is a relatively minor one in Mexico, here in the United States, this holiday has evolved into a beloved commemoration of Mexican heritage.  Being a lover of Mexican culture and traditions, I thought today’s blogpost would help celebrate Cinco de Mayo by focusing on handmade polymer “Milagros”. 

Milagros, which literally translates to miracles, are tiny, tin folk art charms that are used for healing purposes to give thanks for answered prayers. People pin individual milagros to the fabric of a saint or they can also be nailed onto churches. Sometimes these little charms are carried with people to remind them of their prayer for healing or gratitude.  They come in a variety of shapes and sizes and often depict body parts which are often in need of healing.

My Milagros were created using polymer clay and my Milagros and Sacred Hearts stencil sets.  

I am showing two different ways to use your stencils with polymer clay.

To begin with you will need to condition a 2 ounce package of polymer clay by kneading the clay until it is soft. Next you will roll out a slab of clay (using a rolling pin) to about 1/4 inch thick. I roll out my clay on wax paper so it doesn’t stick to my work surface.

For an embossed stencil look, lay your stencil on your slab and push down lightly to set.

Then use your rolling pin to roll over the stencil applying firm pressure to “emboss” the design onto your clay surface.

Use a clay scalpel or an exacto knife to cut out the design from the clay slab.

If you would like your Milagros to hang on the wall, you will want to use a skewer or straw to push through the clay to create a hole. Next with a very light touch, use silver Rub n’ Buff to touch the surface of the embossed design and bring out the pattern.

For the second technique, I used a stencil from my sacred hearts collection and followed the same steps as above. However, instead of using the rolling pin to emboss the design on the clay, I simply set the stencil on the clay and then used a paintbrush to add the silver Rub ’n Buff over the top of the stencil. Be mindful that the Rub ’n Buff stays sticky until it is baked. Be careful not to touch those areas or it may smear. I then followed the design to cut out the heart with a scalpel. 

Next, I added a few details of a mixture of black and raw umber paint to give the Milagro a bit more depth and to make it look more aged.

If you would like traditional looking milagros, then you are done!! The pieces just need to be baked. However, the embedding step is my adaptation of creating milagros by adding some bling to give them a beautiful jewel-like look!

Carefully lay out your desired bling/“do-dads”. Cut rhinestone or ball chain to size.

Remove the do-dads. To adhere the rhinestone or ball chain, paint a channel of glue using a small paintbrush and Weldbond glue. To embed other items into clay, I have found that using a pencil eraser is helpful to get them sunk or securely embedded into the clay.

If some of your Rub n’ Buff has smeared, I recommend using a fine detail brush and some black paint to help restore the details.

The very last step is baking. I recommend using a small dedicated polymer clay craft oven. I generally bake in a 275 degree oven for about 25 minutes. 

Let cool and then enjoy these beautiful “miracles” that you have created! 

Friday, March 31, 2017

Laurie Mika: Hamsa House Shrines


StencilGirl Products is DELIGHTED to have StencilGirl Artist
Laurie Mika back on the blog today!!
Take it away, Laurie!

I recently hosted my second “boutique/home” workshop with a class called Hamsa House Shrines.
This workshop was limited to ten people and included the royal treatment with breakfast goodies and coffee being served in the morning, a fresh lunch in the afternoon, followed by a happy hour after class each day!
My husband, David, was not only my sherpa but also a barista, bartender and sous chef!
The house substrate was a perfect base on which to use my border stencils. Designed for the 1.5 inch deep cradle panel boards that I often use as a substrate, they worked perfectly on the sides of this house shape that I had made in Mexico for me. (At the end of the day, after stenciling the border design on the sides of the house shape, I then attached small metal findings for added dimension and interest.)
Creating a border design using my border stencils!!
I also demonstrated how to use the stencils directly on Premo! polymer clay, an application that is perfect for stencils! If you roll over the stencil on unbaked clay with a rolling pin, it creates an embossed surface that readily accepts paint or mica powders. This technique gives a totally different appearance than if I had used a rubber stamp to create the design. I also love that it is one more use for a stencil, as versatility in products is an important selling point for me. This hand image was create using Jessica Sporn's Five Hamsas stencil on clay:
 
Demo-ing stenciling on raw clay:
 
As an instructor, it is always such a thrill to see how students adapt techniques in their own unique way coming up with beautiful works of art, each one a reflection of the person who created it.

Tuesday, January 3, 2017

One Stencil, Three Projects!


Hi...

Happy Tuesday!  Tina here today with my latest StencilGirl Project, or should I say trio of projects!?!?

When I sit down to create, I am usually inspired by a new product or technique.  When I got my latest shipment of StencilGirl stencils, the Wolf stencil by Roxanne Cable was part of my order. 
L455 Wolf (aka by Bun Essentials)

I just knew I wanted to create with it, but wasn't sure what to make. Because I was itching to create, I started by adding random spritzes of spray mist over the stencil.  I used several sheets of deli paper just in case I wanted to use the stenciled paper as collage.


Special Note: I used both the positive and negative of the stencil. You get two totally different looks.

  
Not really knowing what to do next, I added random machine stitching to each page, in various decorative stitches.

  
 One two of my pages, I also added line work with a graphic pencil, sealing with a spray fixative to ensure it wouldn't smear or blend.

I also used the stencil on several scraps of fabric, using fabric paint.  I decided I would use these as the cover of a  mini book.


I am often inspired by song lyrics, as they express my thoughts and feelings where I struggle with the words.  For the journaling in my book, I used lyrics from the song 'Where I stood' by Missy Higgins. I choose several lyrics that had a special meaning to me and added them to each page.




    For more interest, I also added hand stitching to several pages  I love the little bits of dimension and contrast.




 
 For the covers, I used additional stencils for a different look.  They include:

Circle Play
Earth Song Symbols 2 
Pickleweed Mini 




I got so inspired by my mini, I wanted to keep creating.  I've been obsessed with using clay in my art projects, so I used the Wolf stencil to create some customized clay embellishments.



Using the clay embellishments, I created two mixed media projects.








  
Do you ever get inspired by a stencil?  I'd love to see your creations!

Thanks for stopping by!