Showing posts with label thistle. Show all posts
Showing posts with label thistle. Show all posts

Tuesday, March 14, 2023

Problem Solving: One Stencil at a Time


Hello! Nicole here, and I don’t know about you, but I am so ready for spring! For some reason, this past winter felt really long, and I live in the southern part of the US where we typically don’t see a lot of snow. We did, however, have a really bad ice storm this year taking out many of our tree branches.


With that longing for spring as my inspiration, I grabbed my art journal and some stencils to begin creating. However, it was a struggle! My vision didn’t go as planned, I over-thought a lot, I made some mistakes that I had to fix. In the end, it came together, but there was a lot of problem solving involved.


I began by gessoing my journal pages. I used a journal that had a normal watercolor type paper on the left and a canvas page on the right, so I spread the gesso over to that canvas page a bit. 


Next, I added a ledger page to each side with matte medium and some gesso on top.


Since I knew I wanted to use the thistle stencil, I grabbed a bunch of paints to make a purple-pink palette to match the color of thistles. I watered-down the paint a bit and allowed it to mingle on my pages, letting it to mostly flow horizontally. Since the thistle stencil has a vertical direction, I wanted to contrast this with the paint.


To add even more interest to the background, I used three different stencils. My process was the same for each application. I applied the paint through the stencil with a foam applicator in three different areas to create interest and move the eye around the page. Then, I “scruffed” the marks up a bit with my paint brush and extra water. I added a bit more watered-down paint and some splatters, too.


First, I used the plus signs from the ATC mixup art marks stencil with yellow green paint.



Then, the small lines from the Boro stencil with dioxazine violet deep.


Last, the circles from the interesting dots stencil with red violet. For this one, I stenciled a bit more so the circles would really flow across the spread. 



I also circled around the stencil marks with the graphite and black stabilo all pencils and activated with water.


After all those layered stencils, I evaluated my pages and realized I needed more small lines. My eye was stopping and not moving around the pages, so I added a few more to the background. 


Now that the background was finished, it was time to add the thistles. I went back and forth on how I wanted to approach this, and in the end, I decided to use light molding paste. I spread the paste through the stencil to add the flowers to my page and allowed it to dry overnight.




The next day, I was indecisive again in how to color my thistles, but I decided to do some glazing. I mixed about two-thirds glazing medium with one-third Payne’s gray, applied it to the flowers and edges of my pages (scary, right?) and then waited about a minute.


With lots of baby wipes ready, I wiped away the glazing medium mixture. The glaze was left behind in the uneven texture of the molding paste and added a grungy hue to the outside of my pages. I wanted just a bit more, so I repeated this process with a little less medium and in specific areas that needed it.


The flowers weren’t sitting right, so I made a bold move and painted them a bit with Payne’s gray and grabbed some walnut ink to add to them. I pulled some away with a baby wipe to add some highlights back. They were started to look a bit better. 


I also added some walnut ink on my pages to warm them up. 


Then, it was too warm and dark, so I added some light back in with watered-down gesso.



Bravely, I grabbed my fluorescent violet paint to add a bit to the flowers and some spatters to the background, too.


Then, it went a bit downhill. I think I was suffering from problem-solving fatigue, and I added to it!

I thought the canvas edge on the page looked funny, and wouldn’t it be cool to cut it off and have the rest of the ledger page on the next journal spread. Well, it didn’t look as cool as I thought it would, and I cut it all uneven.


After lots of thinking and pondering, I decided to just stick the pages together with matte medium. I fixed my cutting mistakes, then added some gesso to that ledger page.


I actually really liked that plain ledger page peeking out on the right, but it needed something. So, I used the thistle stencil to trace one flower with stabilo pencils and activated it with my dirty paint water, that was slightly purple at this point. 


As a reminder to myself, I added a little encouragement that I cut from Dina Wakley’s typed ledger sheets and a chipboard piece as well.



I also touched up the page a bit with some more Payne's gray to darken the edges.




Watch the entire process in the video below!



Art journals are always a place that I play, explore and discover new ideas. I really like how all the stencils layered together on these pages. While these pages were a struggle, I also made a fun, new discovery.


The way the plain ledger with the simple flower contrasts with the darker pages is really cool, much cooler than my original idea. I know I’ll be using that technique again!

Grab some stencils and make your own discoveries today!

-Nicole










Connect with me on

 

Stencils

 

Supplies

  • Dina Wakley Media Journal, black edition
  • Gesso
  • Matte Medium
  • Golden So Flat Paint (blue violet, fluorescent violet, dioxazine violet deep, red violet, yellow green)
  • Walnut Ink
  • Light Molding Paste
  • Stabilo All Pencils (graphite and black)
  • Dina Wakley Media ledger sheets and chipboard
  • Baby Wipes


Thursday, December 10, 2020

NEW DESIGNER: Darlene Olivia McElroy's Ribbons & Relics



 
Darlene Olivia McElroy's Ribbons & Relics stencil series (each stencil is 6" x 6") is inspired by her love of the mystical, symbols, and ribbon shapes that tie a story together.

She has shared her creative process with these stencils using paper clay, metal, microbeads, and a variety of paints, as well as showing deconstructed stenciled elements. 

Heart in Hand - This symbol represents the love of fellow man and generosity and helpfulness towards others.


Darlene says: In addition to stenciling with paint, I love stenciling with colored molding paste or by sprinkling glitter or microbeads to a stenciled shape made with gels in order to get depth. Below I used green paint mixed with light molding paste. It gives depth but also allows me to sand it when dry.


If I use this technique on a sheet of polypropylene plastic, I can give my stenciled images multiple uses by deconstructing them. These microbead stencil pieces were removed from the plastic and added to a painting to give it depth and interest.




I used all the stencils in the Ribbons & Relics series to create the container and backs of a Tarot deck. The container lid was created by brayering Heart in Hand on Apoxie sculpt to emboss it then adding the leftover pieces from the microbead deconstructed stencil (above). Anyone who knows me knows that I love the perfection of imperfection and I strive for that even when using a stencil.




Thistle & Ribbons - It represents strength, durability, and determination. The ribbons around the thistle show how delicacy and strength can complement each other.


Layering stencils creates a beautiful ornate look. Three stencils were used for this piece; Thistle & Ribbons and Hearts Afire as well as the S-Curve stencil by Daniella Woolf S-Curve Stencil. After the light molding paste was dried and slightly sanded, a wash was applied to it (left). An open acrylic dark blue was applied and while still wet paper was laid on top and rubbed down. The paper was pulled off to reveal the blue print (right).


When the paper was pulled off from the print, the blue paint was left in the recess areas. The panel is now ready to have color added to the thistle and some of the ribbons.




Perched Crow - Growing up around crows, one sees their power, intelligence, creativity, resourcefulness, and playfulness. Crows find treasures in trash, are mysterious and sacred, and in some cultures have possessed magical qualities.



In addition to stenciling on my art, I also will stamp with the excess paint that is on the stencil. I do this either on paper or on the plastic covering my work table which will become a paint skin at some point.


This piece of art was created by placing Creative Paperclay on a wood panel, brayering it flat then laying my stencil over the clay then brayering it again. It creates a nice embossed surface. When the paper clay dries, it was sealed with polymer medium. When dry I sprayed it with Foil (metallic silver) spray paint by Krylon added a black stain to age it. This gives it the look of real metal.




My Heart Afire - Love and passion are the reason for living. The first known depiction of a heart as a symbol of romantic love dates to the 1250s but it exists as a contemporary symbol today.


I am continually creating backgrounds to use on the spur of the moment. This one worked so well with the Heart Afire stencil. The ribbons picked up the loop shapes in the abstract.


If you have ever taken a printmaking class, you know how much fun collagraphs are. By making a raised stencil using either a polymer gel or molding paste (on right), it can turn into a collagraph in order to making wonderful grunge prints. Apply paint to the raised stencil then lay your paper face down on top of the wet surface and rub back of paper with your hand or a brayer. I prefer to use Open Acrylics as it slows down the drying time.



Hummingbird Bouquet - Nothing makes a garden come alive other than the arrival of the hummingbirds. I am amazed how something so tiny can migrate so far, survive the predators, and give us such pleasure.



I love the storytelling qualities of painting and stencils. The more layers in your work, the more depth the narrative has.



Years ago a student asked me what stencil I used for my ribbon designs in my art. I was painting them by hand but the question led me to design these stencils. I like the idea that I can use the stencils as a complete piece or deconstruct them to use all the pieces individually.



My friend Judy has become allergic to acrylic paint so tried using my stencils with watercolors, colored pencils, watercolor pencils, and spritz paint.



How will you tell your story with Ribbons & Relics by StencilGirl's newest stencil designer, Darlene Olivia McElroy?