Thursday, September 10, 2026

Stenciled & Quilted Journal Cover



Hello Art Lovers, Linda Edkins Wyatt here with a new project using my stencil designs and a bonus sale on my stencils for the next two weeks when you use the coupon code SPIRAL20. 



I keep two kinds of journals — art journals with blank pages that I fill with paintings, drawings, and collage, and lined marble notebooks that I use as writing journals. I keep a marble notebook on my bedside and write all kinds of unrelated things in it — interesting dreams, Wordle and Connections puzzle possibilities, color formulas for digital artwork, interesting quotes, things I'm grateful for, and rambling morning / evening pages.

I decided that I could really use a removable, reusable cover for my marble notebooks, so I decided to give making one a try. And what could be better than designing a cover using my very own stencils?

I pulled out a few of my favorites to try stenciling onto cloth. I was feeling very experimental, and didn't have a plan or repeating pattern design in mind. I put some smooth, lightweight 100% cotton fabric on my worktable, pulled out some favorite colors of acrylic paint, gathered my stencils, found some cosmetic wedges to apply the paint, and started experimenting. I used heavy-body acrylic so that the colors didn't seep under the stencil edges. 

Below are the stencils I used:

Spiral, Lemurian Garden #M304; 

Lily, Lemurian Garden #M302; 

Lemurian Poppy, #S900; 

Woodcut Garden, #S958; 

Woodcut Mix, #M335; and 

Pansy, Lemurian Garden #M303. 

(You can see that they are well-loved by all the paint and stains on them!)




Here's a tip: I always put clear packing tape around all edges of my stencils when they are brand-new.  Many of my designs go right up near the edge of the mylar, so the tape gives some extra space and helps to avoid accidental smudges. I put the clear tape on both sides so there is no stickiness, and since the tape is clear, it allows me to see what is underneath.





Here's another tip: I used painter's tape to mask off some sections of my stencil when I had a small space to fill. On the bottom left photo you can see that I taped off the outer petals of the Pansy to make it a little smaller. I also taped off parts of the dots from the spiral and used them to fill in empty spaces and add visual interest.




I was pretty happy with the printing, but the white background bothered me. It seemed too boring. I also wanted something to unite the colors and patterns, so I decided to conduct a few tests and see if I could change the background color with some watered-down ink.



I liked the colored backgrounds, but decided to go lighter so that the stencils would pop more. Below, I diluted the ink with water and tried again. (I felt kind of like a mad scientist!)



On the left photo, I tested an edge with the light pink ink, and liked the look. So, I went ahead and covered the whole piece with light pink. I was anxious to see how it would dry, so I pulled out my hairdryer to help speed things up. Once the fabric dried, it was pretty, but needed something more. I decided to enhance it with quilting. 

I made a "quilt sandwich" with the stenciled and dyed fabric on top, thin batting in the middle, and some plain pink fabric on the back. I pinned the three layers together, then, using pink thread, did some free-motion machine quilting in a swirly pattern.



Once it was quilted, I carefully trimmed the fabric using my rotary cutter, metal ruler, and cutting mat to a size (11" x 17") that would fit nicely around the 7.5" x 10" book. I stitched an 11" x17" piece of the pink backing fabric to create a facing for the marble notebook's cardboard front and back to slip into.





After stitching the backing, I realized that I hadn't allowed for an opening that the marble notebook covers could slip into! So, I sliced down the center of the backing carefully and created two pockets for the front and back of the marble notebook.






It was almost finished, but the front cover seemed too plain, so I decided to honor my very first stencil, the spiral, by using it for a decorative front embellishment. 


The spiral is the shape that got me started as a stencil designer so it is kind of a "favorite child". I had entered a hand cut a spiral stencil, along with artwork created from that stencil, in a Cloth Paper Scissors magazine "Hand Cut Stencil" reader's challenge. It was among the winning submissions featured in Cloth Paper Scissors May/June 2016 issue. 

That success inspired me to join StencilClub, gave me the courage to apply to be part of the StencilGirl Creative Team, and eventually the confidence to submit my own stencil designs in 2020. 

Here's the artwork created with my very first spiral stencil, and the cover of the issue from 10 years ago that it appeared in:




My first try at a stenciled embellishment for the front cover of my journal wasn't quite right. I liked the turquoise spiral on the hand-dyed olive fabric, but the colors clashed with my quilted cover. I tried uniting the spiral patch with the cover by adding decorative buttons covered with some of the dyed fabric experiments. It was interesting, but not quite right, and also would have been too lumpy on a journal.


So, I used some of the cotton that I had dyed light pink (using the leftover dye from my earlier experiments) and tried stenciling the spiral with both white embossing powder and white acrylic. I tested both deep pink and aqua inks over the white spirals to see what looked best.



Once the samples were dry, I decided on the pink version that was dyed over white paint. I was a bit surprised that the white paint created a better resist than the embossing powder...on paper embossing creates a beautiful resist, but on fabric, the embossing ink sunk into the fabric too much and looked spotty. 

Next, I debated about the shape, and decided on a circle. I traced around a roll of packing tape to make the circle, then rusticly hand stitched the white spiral with white thread, basted the edges, and added some turquoise beads around the edge. The beading is a little wonky, as is the white hand quilting, but I decided to embrace my wonkiness and let go of my Virgo quest for perfection. My inner critic is still screaming at me to fix it and make it perfect :-)

As a final touch, I created a page marker with a handmade tassel, a few small beads, and one of my own handmade beads made from recycled Tyvek USPS mailers. If you want to see how to make the tyvek beads, here's a link to my post on bead-making.


Last but certainly not least, don't forget to use code SPIRAL20 to get 20% off any of my stencils through 9-24-26. 

If you want to see more of what I've been working on,  I hope you'll take a look at my beautiful new website and see all my favorite creations, especially my stencils & stenciled art section!

Happy Creating! 

Linda :)






Friday, September 4, 2026

StencilGirl® Doll Makeover Collaboration Challenge


Hello StencilGirl® and stencil lovers!

Tina Walker here today with a new Collaboration Challenge.  This month, we are ALTERING DOLLS!  How might someone go about altering a doll?  Simple!  Alter the doll's clothes, alter the doll's accessories, or even alter the doll's physical body!  And yes, this can all be done with stencils!

The challenge was simple - take a gently (or not gently) played with doll, and get creative with stencils, techniques, and more.

Let's get to the reveal!

TRACY KRUEGER 


How freakin' cool is this!?!? I love it, AND, I could totally see a celebrity rockin' this outfit!

Here's what Tracy had to say about her project:

"For this project, I knew she HAD to have tattoos (like me) so I was inspired to find stencils that could easily be tattoos.  My doll had clothes that really weren't conducive to being stenciled so I hand made everything she has on (except shoes)!  I absolutely adore how she came out!"

Stencils Used:

StencilClub Jan 2022  

Trefoil Rieven Glyphs 

Seeds 

DEB CORDER


SO, SO cute.  I love her eclectic, authentic self!  You do it girl!

Here's what Deb had to say about her project:

"I started with a box of doll heads I bought from an Etsy seller. This head caught my eye because she was completely bald but still wearing earrings—can you relate?  I pictured her as a tattooed girl in a hand-embroidered dress.

I used a 100% cotton kitchen towel as the base for the hair, body, and dress. For the hair, I tore the towel into 1/2-inch strips, tied knots in the middle, sprayed them with Dylusions Ink Sprays, and glued the knots to the head.

The body started with a basic doll pattern, but I had to enlarge it a bit to fit the head. Nothing scientific—I just kept penciling around the pattern until the proportions looked right! Before assembling the body, I stenciled the tattoos to the fabric. Because I started with a white towel, I used Dylusions Ink Spray to make the skin pink/tan. The finished doll is stuffed with lentils and Polyfil. The lentils add weight to her lower body parts to help her sit.  The legs and arms are also similarly filled.

For the dress, I used the “Layered Salad” stencil by Terri Stegmiller. I stenciled different colors onto the kitchen towel fabric and then hand-embroidered the design areas. Once the embroidery was finished, I laid the doll on the fabric and sketched a simple sheath dress pattern around her.

I’m so happy with how my tattooed BoHo doll turned out!"
 
Stencils Used:
 
 
 
She is so dark and mysterious.  I love that!
 
Here's what Patsy had to say about her project:
"This is a sad rainbow girl, inspired by the shirt she came with.   It is hard for me to make happy art these days. I used Stencils Girls “Lots of Dots” for her dress.  She will probably evolve a bit more; I hope to find a coffin in the Halloween aisle and do something with her then.
loved the stencil and the colors remaining on it after I used it, which made me want to the stencil in an art project.:
 
Stencil Used:
 
 
Now on to mine....
 
Before I reveal my doll, here's a little BTS look at what she looked before her makeover, during her makeover (just for fun), and her finished, Victorian Inspired Self.
 
Take a good hard look at the BEFORE and AFTER! 
 
 
I bought her and a few of her closest friends at an auction and since she was a larger size, I could really alter-her-up! 


Just a funny little pic of her while I was prepping her body for her makeover!  
 
Drumroll.....
 
 
We can pause right here - it's okay to scroll back up - check her out! ;) 


 
She HAD TO HAVE a vintage-inspired backdrop...so stencils to the rescue. 






 Although her stencils 'parts' are subtle, so is BOLD in every way! Are you wondering how I got her hair to stand up and how I painted her body?  I used Powertex products throughout.  Interested in learning more about how Powertex works and how using it with your stenciled projects really elevates your dimensional work into the sky!
 
Stencils Used:
 
Thanks for stopping by today!
I hope you have a wonderfully creative, and STENCILFIED week!
 
XOXO

 
 

Thursday, August 27, 2026

Faux Cyanotype with Watercolor: Journal Embellishments

Hi, my friends! Consie Sindet here again to share an experiment that I did with you!


I've been fascinated by the cyanotype process for a while and wanted to see if I could create a look-a-like version with just watercolor and stencils! Spoiler alert: YES, you can! And it is so simple!

BTW...I made a video of the process which you can find at the bottom of this post.



Let's start with the supplies I used:

Watercolor paper
Watercolor: Indigo or the darkest blue you have
Watercolor: Gold
Water spray bottle
Paper towel or baby wipe
White gel pen
Book paper
Coffee dyed paper
Paper punches
Burlap ribbon
Thread
Sewing machine
Stapler


I started by painting my watercolor paper with a couple of layers of Indigo blue watercolor. Let it dry completely.


I then grabbed the Boho Daisy small stencil by Gwen Lefleur: S846 to start. I laid it on the blue watercolor paper and using a damp paper towel or baby wipe, began to gently erase the watercolor through the stencil. Try to keep the water to a minimum! I added a few more marks from the ATC Mixup Evan stencil by Jennifer Evans: L654 as well to fill out the bookmark that this became. 


The final touch was to stencil gold watercolor back through the Boho Daisy small stencil by Gwen Lefleur: S846 to add some sparkle to the bookmark!


To create the collage clusters, I use the ATC Mixup Evan stencil by Jennifer Evans: L654 to add designs to the paper that would fit inside of the paper punches. I was very deliberate so that I wouldn't cut off interesting sections once I punched out my shapes.


I then punched out a circle and a rectangle from the print I made. The leftover piece became the tag with a window that you can see in the first photo. 


To assemble my clusters, I layered burlap ribbon, a ripped piece of coffee dyed paper, bits of thread and my punched out cyanotype print together. I used a sewing machine or a stapler to attach the group together. 


By final experiment was using the Leafy Doodle Verge stencil/mask by Valerie Sjodin: S714. I used one of the masks to see if it worked as well as a stencil. It did but I do think the stencils work the best! The photo above shows the finished design that I embellished with gold watercolor. It will make a great pocket! Also in the photo is the leftover section from the circle/rectangle punched paper. I created a tag and used a white gel pen to enhance the designs. 

I really love how this experiment worked! You can hear more and follow along with the video below.

I would love to see what you create using these stencils! You can tag me on Instagram and find me in the following spaces!

YouTube: @ConsieSindet

Friday, August 7, 2026

Decorate a Metal Tin With a Mini Journal Inside



Hi Friends, it's Martha with a project that I have been wanting to tackle for a while now. I've decorated a metal tin that contains a mini journal inside. First I gathered some of my supplies to start gel printing on wet strength tissue paper. You could probably use regular tissue paper but be extra careful since it is more delicate. Deli paper could probably work too. 




I chose the paint colors in the picture above because I knew I wanted to use vintage black and white photos in this project and wanted colors that coordinated with this theme. I put some paint colors and stencils down on the gel plate and made a few prints. Then I lightly sanded the tin thinking that would help to adhere the tissue paper better. To be honest I'm not sure this is a necessary step but it can't hurt!






I started tearing pieces of tissue paper and using matte medium to adhere them to the outside of the tin making sure to use matte medium under and over the pieces. When the outside was dry I worked on the inside of the tin until all parts were covered in tissue paper. I tore off or cut the pieces of tissue hanging over the sides.




The stencils I used on the gel plate didn't show up well because there wasn't enough contrast in the paint colors I chose. So I decided to use a couple of stencils on the outside of the tin selecting a paint color (Paynes Gray) that I knew would show up and coordinate with my current color scheme.



I also used some gold paint to tidy up the edges of the tin.



Time to work on my mini journal. I used khadi paper to make my journal but you can use any type of paper you'd like - there are lots of options. Because I don't like to measure I used the tin to mark the approximate size of my journal. Note that since the lines indicate the size of the outside of the tin, I did tear the paper inside the lines I drew. I also doubled the width because I folded each paper in half to create the journal. 





Once the pages were torn to the correct size (I folded them in half and made sure they fit inside the tin) I rounded the corners of each page. Then it was time to add some color. I used Golden High Flow Acrylics in the same paint colors I used on the gel plate. I added the high flow on the papers, spritzed them with water and let them drip and move around the pages. I did that for both sides of the papers. You could also achieve this effect with sprays, inks or watered down acrylic paint.







To match the color scheme on the outside of the tin, I used Paynes Gray paint to stencil on each page. Again I stenciled on both sides of the papers. I wanted to create an interesting background for the vintage photos I planned to use. After the stenciling I added some spatters of gold, still following the color theme of the tin.




We're in the home stretch now! I gathered some vintage photos and bits of laces and ribbons to add a focal point to each page. Deciding which photo and which piece of lace to use is really a matter of opinion. I auditioned different pieces to decide which ones I thought worked well together on each page. As I was auditioning the photos, I decided to add a torn scrap of book page behind each photo. You can see that in the pictures of the inside of the journal below. To adhere the images and fibers, I used Dries Clear Art Glitter Glue (does not contain any glitter-that's just the name). Any strong glue would work.



I also added some pieces to decorate the top of the tin. Finally I tied a piece of ribbon around my pages to easily bind my mini journal.  With that my project is complete!



I do hope you enjoyed this project and will give it a try! All supplies I used are listed below.








Supplies Used:

Acrylic Paints
Gel Plate & Brayer
Wet Strength Tissue Paper
Metal Tin
Sandpaper
Matte Medium
Khadi Paper
Ruler
Gold Paint Spray
Golden High Flow Acrylics
Vintage Photos
Scraps of laces, ribbons, etc.
Book Pages
Glue (I used Dries Clear Art Glitter)

Follo me on Instagram: https://www.instagram.com/