Sunday, April 26, 2026

"Make A Chinoiserie Inspired Accordian House using Stencil Club Stencils 5/26 "In the Wind" by Dee Dee Catron

Some materials carry memory without asking for attention. Maple seed pods—the ones we called “helicopters” growing up—are like that. They drift, they spin, and they show up where you least expect them. Quiet, familiar, and just a little bit playful.

Chinoiserie Inspired Accordian House using "In the Wind" Stencils



This month’s StencilClub set, In The Wind, designed by Dee Dee Catron, captures that same sense of quiet movement. The designs are rooted in nature but feel lifted—suspended mid-air. There are delicate maple seed forms scattered in allover patterns, birds resting on wires in a moment of pause, and one stencil in particular that leans into something more decorative, more historical. A repeating composition of birds, leaves, and branches that immediately called to mind the elegance of Chinoiserie—that Western interpretation of Eastern motifs, filtered through imagination and ornament.

I’m Kim Hamburg, a mixed media collage artist, and when I saw that pattern, I didn’t think “print”—I thought wallpaper. Not the kind you roll onto drywall, but the kind you build slowly, page by page, layer by layer, until it becomes something you can hold.


The House That Unfolds

This project became an accordion book shaped like a row of houses—something that feels both architectural and intimate, like a street you’ve walked a hundred times.

To begin, I cut six pieces of 4x6" cardstock into simple house shapes. There’s no template here—just trim a triangle off each side of the top edge until it resembles a roofline. Imperfect is better. You can make as many houses as you like, depending on how long you want your book to stretch.

4" x 6''    Cut Paper Pieces


Cut Each Piece into a House Shape then Paint with Solid Color


Each house was painted with a beige chalk paint—a quiet, neutral ground. I wanted something that would echo aged walls, the kind that have absorbed years of light and shadow. Once dry, I used a lighter tone and a sponge (or foam) brush to apply the Chinoiserie-inspired stencil. Not perfectly. Not evenly. Just enough to suggest wallpaper that has lived a little.


Then came the contrast. Using black acrylic paint and a blending brush, I added the “birds on a wire” stencil—carefully placing it only along the top or bottom edges of each house. It acts as a visual anchor, a horizon line of sorts, holding the softness of the background in place.



Once everything dried, I edged each house lightly with black paint. This step is subtle but important—it defines the shape, gives it structure, and makes each piece feel finished.


Building the Book

The construction is where it all comes together—literally.

Linen Fabric Hinge (double sided tape)


I used double-stick tape (I used the Gorilla brand) and strips of linen fabric to hinge the houses together. Tape one side of the fabric to the back edge of a house, then attach the next house using the exposed adhesive. Repeat this process until all the houses are connected in a continuous accordion.

The fabric hinge gives the structure flexibility and durability, allowing the book to expand and contract with ease. It also introduces a softness—a tactile contrast to the painted surfaces.


The Story in the Details

Once assembled, the real work begins—the part that turns structure into story.



I collaged windows, fragments of imagery, and small details onto each house. A suggestion of life inside. A glimpse of narrative without explanation. I added marks—lines, scribbles, gestures that feel almost like handwriting, though they say nothing specific.


Adding Collage Elements like windows and doors


That’s the beauty of these accordion books: they’re endlessly adaptable. I’ve seen them filled with photographs, layered with fabric, even used as visual journals. Each page can hold its own moment, or contribute to a larger rhythm across the whole piece.

And like those maple “helicopters,” the work doesn’t land in one fixed place. It moves—through memory, through interpretation, through the viewer’s own experience.


All done!

Supplies


In The Wind is available exclusively to StencilClub members who join by May 15, 2026, and will ship the day you join. Membership includes 25% off all regular collection stencils, a project and PDF from the featured artist, and an additional members-only project from me.

Follow Dee Dee Catron on Instagram @deedeecatron
Explore more at @stencilgirl_products and www.stencilgirlproducts.com
Join StencilClub here: www.stencilgirlproducts.com/stencilclub

If you make your own version of this accordion house, I’d love to see where it takes you. Tag me on Instagram @gluepaperscissors_ and share your work—because every house, every page, every mark tells a different story.



Friday, April 24, 2026

StencilGirl® Coin Folder Collaboration Challenge with Tina Walker


Hello lovelies!

Tina Walker here with my latest StencilGirl® collaboration challenge. This month, we have a super fun and interactive challenge - I challenged artists to create a project, any type of project (altered, dimensional, book, or more) using Coin Collector booklets.  Look below in case you are wondering what we are talking about.

Ah...you now know what I'm talking about.  ;)
Combine these wonderful little booklets with StencilGirl® stencils - OH MY! When you open up these bad boys, the mind just races with creative possibilities.  Let's see what the artists did with this challenge.
 
 
"I knew for this challenge, I wanted to do something involving flowers since Spring is right around the corner. Shrinky Dinks are an absolute PERFECT substrate for StencilGirl products! I paired my shrinky dinks with pressed flowers in resin and floral acetate pieces from Tina Walkers etsy shop and I think it turned out beautiful!"
 
 
Wow, oh WOW, oh wow!

This type of project NEVER crossed my mind.  How creative and fun

Stencils Used:
 
 
"My quarter coin book made the perfect base for a special birthday card!  I used white and gold gesso to coat the entire book.  Stenciled with StencilGirl Stencils Ray CirclesCircle Rays, and Wall of Words using Dina Wakley paints (malachite, sedona, cheddar, tangelo, apricot and lemon).  All chipboard pieces are custom designs from Stuff by Belle for this special milestone card. Minimal products but they make quite an impact! You can find more images of the finished project by clicking the link for Stuff by Belle."
 

I would LOVE to receive a card like this - it would instantly make me happy!
 
Stencils Used:
 
"Using the openings of the coin folder as portals to view into the next layer, each page displays a different "type" of flower field. As the pages are turned one can look forward or backwards into the different "fields" by turning the circular pieces. The final spread is a field of lavender. "
 

Another incredible project by an incredible artist!  I am diggin' the dimension!
 
Stencils Used:
 
 
"I decided to make an artist book, and I started by chopping up my coin folder and cutting out some of the holes. Next came layers of gesso, vintage paper, acrylic paint with stencils, mark making, stamping, and a couple wax seals. I bound it all together with torn strips of a vintage flour sack."
 
 
I can't decide if I love the colors or the patterns, or the overall design the most.  This is simply stunning!
 
Stencils Used:
 
 
"I removed the center section of the coin book and made a bookcloth to cover the spine. I made a flag book using face images and the following stencils: Number Chaos, Small and Inky Circles Stencil, because they referenced coin shapes and numbers related to cash."
 
 
This book is so architecturally intriguing...I love Sheila's art - she is so inventive. 
 
Stencils Used:
 
and MOI!
 
 
My head was going in a 1000 different directions with this challenge, but they all revolved around a book - because, why not?!?!  ;)
 
and how cool is a book with holes, lil' cubbies, and places for fun little bits?
 
I used my stencils in various ways - gelli prints, key focal points, such as numbers, extra-large embossed page, rust paste, to backgrounds.  All the wonderful ways to use stencils.
 
Here's some close-ups of my pages...
 

 












I loved pulling out some of old school, traditional scrapbook techniques, such as glitter and embossing.  I forgot how cool these were.
 
Stencils Used:
 
If you want to see a video p-through of my finished book, please visit me over on IG for the short reel.
 
I hope this lil' challenge inspired you to pick up some Coin Collector folders and make some art!  Please tag me if you do, I'd love to check your creations out!
 
That's all for today!
 
XOXO 

 
 

 

Saturday, April 4, 2026

Make a Pocket Book out of Envelopes and the April 2026 Stencil Club Set

There is something quietly satisfying about a stack of envelopes—especially the kind you don’t quite remember saving. They surface in drawers and boxes, tucked between the practical and the sentimental, carrying with them a faint suggestion of intention. This project began, as many good ones do, with that kind of rediscovery: a small collection of envelopes made from thick, watercolor paper, too beautiful to discard and too intriguing to ignore.


Completed Pocket Book

Hello again—I’m Kim Hamburg, mixed media collage artist, and today I’m working with the April 2026 StencilClub stencil set, Ribbon Dance, designed by Jennifer Evans. In this project, I’ll be transforming a handful of envelopes into a small, sculptural book with exposed pockets—spaces ready to hold ephemera, tags, ATC cards, and whatever fragments of story you feel compelled to tuck inside.



Jennifer Evans’ designs feel particularly at home in this kind of work. She creates stencils that lean into abstraction—marks that resemble intuitive, almost instinctive gestures. They are wide, expressive, and open-ended, suggesting a structure without confining it. There’s a generosity in that approach: the stencil offers a starting point, but leaves plenty of room for the artist to respond, layer, and reinterpret.

And of course, when faced with envelopes and pockets, I had to make a pocket-book.

Supplies

  • Envelopes (any size; I used five, but the number is entirely flexible)
  • Acrylic paint (at least two colors)
  • Paintbrush, brayer, or sponge
  • Adhesive (I used PVA glue)
  • April 2026 StencilClub Set - Ribbon Dance

Optional:

  • Gelli plate
  • Markers, pens, or other embellishing tools
  • Additional collage materials or ephemera

The Process

I began by painting each envelope, front and back—thinking less about perfection and more about establishing a base layer of color and movement. Some envelopes were printed using a gelli plate, which gave them a soft, atmospheric variation. Others I painted directly, letting the brushmarks remain visible, like handwriting.







Once everything had dried, I returned with the stencil set and a second color. This is where the structure began to shift into something more expressive. One of my favorite moments in the process was layering all three stencil designs together on the gelli plate at the same time. The result was unexpected—a kind of visual overlap that felt almost chaotic, but in a way that suggested rhythm rather than disorder. Marks collided, repeated, dissolved. It created a beautifully abstract, slightly jumbled surface that I wouldn’t have arrived at if I had approached each stencil separately.



From there, the envelopes began to take on a new identity—not as individual objects, but as pages. Glued together along their edges, they formed a small book, each pocket left open and accessible. The structure invites interaction. It asks to be filled.

How to Assemble the Pocket-Book

Take two envelopes and place them with the flap side facing up. Tuck the flap of one envelope into the body of the other, so that one flap is secured inside while the other remains extended. That remaining flap becomes your connector—it slides into the next envelope, whose flap will then extend outward in turn.



Continue this rhythm—tucking one, leaving one—until you’ve linked together as many envelopes as you like. To finish, simply glue the final flap to the envelope it meets.



What makes this structure especially satisfying is its flexibility. Because nothing is glued along the interior spine, the book isn’t fixed in size. It can grow. You can continue adding envelopes, extending the piece over time—an expandable object that evolves alongside whatever you choose to place inside it.

Why This Works

There’s something compelling about using envelopes this way—their original purpose lingers, but shifts. Instead of containing a single message, they become containers for many small ones. A scrap of paper, a stamped tag, a handwritten note—each addition becomes part of a layered narrative.




And that’s really what this project is about: not just making something, but making space. Space for collecting, for holding, for returning to.

It’s a small book, yes—but also a quiet archive of whatever you choose to keep.



You get lots of great benefits as a club member, including a coupon for 25% off all regular collection stencils, a project and PDF from the artist, and an additional project by me that is for members only. So don’t delay!

Get more information about Stencil Club here
Stencil Club

I would love to see your work. Please tag me on Instagram — check out my IG

https://www.instagram.com/gluepaperscissors_/?hl=en

Kim Hamburg on Facebook

https://www.facebook.com/kimhamburgart

Artist Jennifer Evans on YouTube:  https://www.youtube.com/watch?v=XdoBz3l_piQ



Friday, April 3, 2026

Make Upcycled Cork Coasters Using Stencils with Michelle Schenker

Hello Stencil Fans,

My name is Michelle (@michelle.schenker.art on Instagram), and I am a mixed-media and watercolor artist who loves transforming trash into treasures. So, my first project for the StencilGirl® blog follows this passion. 

I often go to my local Goodwill to seek out unsung treasures, and I found a set of Bunco coasters for $2! I could not resist bringing them home to see if I could create a new coaster design for my house!


StencilGirl® Stencil:

Other Supplies:

  • Cork Coasters
  • Sandpaper
  • White Gesso
  • Lukas Acrylic Paint, Terracotta
  • Lukas Acrylic Paint, Fern
  • Lukas Acrylic Paint, Prussian Blue
  • FolkArt Outdoor Satin Varnish
  • Painter's Tape
  • Makeup Sponge 
  • Wet Cloth or Baby Wipes 

Step 1:

Gently peel off and sand the coaster surface to remove any plastic or other protective covering. Wear a mask if you are sensitive to dust, and consider working outside for this step. Dust off with a baby wipe or a wet cloth and let it dry before moving to the next step. 

4 Bunco Coasters

Peel & Sand Coaster


Sand Coaster

Step 2:

Add tape if you wish to protect the sides. Paint White Gesso onto the sanded surface. Let dry.

Painters Tape to Protect sides of Coaster


Prep coaster with white gesso

Step 3:

Apply a layer of paint (I used Terracotta by Lukas for that old Europe vibe). Let dry. 

Paint first layer of coaster


Step 4:

Once dry, center the Portugal Tile stencil on the painted coaster.  Apply paint with a sponge (I chose Fern by Lukas for a bright pop of green). 

Place stencil on painted coaster

Bonus Tip: If you wish to isolate certain colors to certain parts of the design, use painter's tape to block off certain areas of the stencil. Then, once each layer of paint is dry, you can move the tape to the next section to add your next paint, etc. (after Fern, I used Prussian Blue)



Tape & Add Paint to coaster


Add more Paint to coaster


Step 5:

Remove the Stencil. Repeat with the other coasters, varying the colors as you desire. Let dry.

Fully painted coaster

Step 6:

Repeat Steps 1 through 3 for each coaster.  Feel free to vary the colors or even the stencil design (since there are 6 tile designs to choose from!) if you want a variation on the theme for each one. Let dry.

Step 7:

Once all coasters are dry and you are happy with them, add 2 layers of FolkArt Outdoor Varnish, waiting 30 minutes between layers (or any water-resistant varnish). This helps them resist condensation from glasses.

Add water-resistant varnish

Step 8:

Let dry overnight, remove the painter's tape, and enjoy!!

Completed upcycled coaster by Michelle Schenker

Cheers and have fun creating! If you decide to make these, please tag me on your social media posts (links below) - I'd love to see what you make! 

All the best,
Michelle Schenker