If you are looking for a delightful gift for a bunch of people, try this project! It is a great mass make. Let's jump in to how I made them!
StencilGirl® Talk
A blog for the StencilGirl® Product line owned by Mary Beth Shaw for people who love stencils like we love stencils.
Friday, May 29, 2026
Grunge and Neon Mass Make Tags
If you are looking for a delightful gift for a bunch of people, try this project! It is a great mass make. Let's jump in to how I made them!
Friday, May 15, 2026
Using Stencils with Encaustics Along with Jane Monteith
Jane Monteith here. I wanted to share a few tips using stencils with surface inks and reducing the amount of bleed from under them.
I recently tried using Jacquard's brand new alcohol ink formula. As you may know, I've been a fan of their products for many years, including the Pinata Rich Gold.
They've now created a smoother, finer type formula which has been renamed to Gold Leaf. There are other colors too, as you can see here.
They work great on the the surface of encaustic because it's non-porous, and alcohol ink is designed for these types of surfaces.
To hold stencils in place, we generally use a temporary tack spray. But with wax we can't really do that because it leaves a residue on the surface.
So, here's the tip.
Start by warming your surface with a heat gun. While your wax is still warm, sit your stencil on top, and using a brayer, roll over the stencil a few times to set it in place.
This will prevent it from moving and embeds it slightly into the surface.
You can now begin painting over it.
Keep in mind you'll see all brush marks, dents and pinholes in your encaustic because of the light reflecting off the metallic ink.
I used the gold leaf formula with an old paint brush. Probably should have used a better brush. So don't be me. Use a foam brush or a nice soft bristle one.
Once the surface is painted, leave it to dry and then simply peel back the stencil.
But, we can fix that with the ink!
We can also fix any areas that did bleed. There were a few on the outer edges and a little bit in the middle.
I suggest using a micro-makeup applicator for getting rid of excess ink. I use them ALL the time for things like this.
I also use Jacquard's Claro-Extender (aka blending solution) because this isn't as harsh as rubbing alcohol.
It's also great for cleaning the ink off your stencils.
You can also fill in any small holes, like the pin hole I created :)
I ended up with a more interesting pattern.
To finish, lightly fuse with your heat gun to set it in place. Don't over fuse or the alcohol ink with burn and separate. Just a light touch is all you need :)
Whether you use stencils to create inlays or for surface patterns using inks, they're a great way to add interest to your encaustic work.
The stencil I have used is called Linework. It and all of my stencils are on sale until May 28th. Use code ENCAUSTIC to get 20% off.
Stay creative.
Friday, May 8, 2026
Stitches, Stencils & Hoops an up-cycled decor project
SUPPLY LIST
Sunday, April 26, 2026
"Make A Chinoiserie Inspired Accordian House using Stencil Club Stencils 5/26 "In the Wind" by Dee Dee Catron
Some materials carry memory without asking for attention. Maple seed pods—the ones we called “helicopters” growing up—are like that. They drift, they spin, and they show up where you least expect them. Quiet, familiar, and just a little bit playful.
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| Chinoiserie Inspired Accordian House using "In the Wind" Stencils |
This month’s StencilClub set, In The Wind, designed by Dee Dee Catron, captures that same sense of quiet movement. The designs are rooted in nature but feel lifted—suspended mid-air. There are delicate maple seed forms scattered in allover patterns, birds resting on wires in a moment of pause, and one stencil in particular that leans into something more decorative, more historical. A repeating composition of birds, leaves, and branches that immediately called to mind the elegance of Chinoiserie—that Western interpretation of Eastern motifs, filtered through imagination and ornament.
I’m Kim Hamburg, a mixed media collage artist, and when I saw that pattern, I didn’t think “print”—I thought wallpaper. Not the kind you roll onto drywall, but the kind you build slowly, page by page, layer by layer, until it becomes something you can hold.
The House That Unfolds
This project became an accordion book shaped like a row of houses—something that feels both architectural and intimate, like a street you’ve walked a hundred times.
To begin, I cut six pieces of 4x6" cardstock into simple house shapes. There’s no template here—just trim a triangle off each side of the top edge until it resembles a roofline. Imperfect is better. You can make as many houses as you like, depending on how long you want your book to stretch.
| 4" x 6'' Cut Paper Pieces |
| Cut Each Piece into a House Shape then Paint with Solid Color |
Then came the contrast. Using black acrylic paint and a blending brush, I added the “birds on a wire” stencil—carefully placing it only along the top or bottom edges of each house. It acts as a visual anchor, a horizon line of sorts, holding the softness of the background in place.
Once everything dried, I edged each house lightly with black paint. This step is subtle but important—it defines the shape, gives it structure, and makes each piece feel finished.
Building the Book
The construction is where it all comes together—literally.
| Linen Fabric Hinge (double sided tape) |
The fabric hinge gives the structure flexibility and durability, allowing the book to expand and contract with ease. It also introduces a softness—a tactile contrast to the painted surfaces.
The Story in the Details
Once assembled, the real work begins—the part that turns structure into story.
I collaged windows, fragments of imagery, and small details onto each house. A suggestion of life inside. A glimpse of narrative without explanation. I added marks—lines, scribbles, gestures that feel almost like handwriting, though they say nothing specific.
| Adding Collage Elements like windows and doors |
That’s the beauty of these accordion books: they’re endlessly adaptable. I’ve seen them filled with photographs, layered with fabric, even used as visual journals. Each page can hold its own moment, or contribute to a larger rhythm across the whole piece.
And like those maple “helicopters,” the work doesn’t land in one fixed place. It moves—through memory, through interpretation, through the viewer’s own experience.
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| All done! |
Supplies
- May 2026 Stencil Club Stencil Set by Dee Dee Catron, "In The Wind"
- 4x6" cardstock (6 pieces, or more)
- Scissors
- Double-stick tape (I used Gorilla brand)
- Scrap fabric (I used linen)
- Acrylic paint and/or chalk paint
- Blender brush and/or foam (sponge) brush
- Collage elements (vintage papers, imagery, ephemera)
- Glue
In The Wind is available exclusively to StencilClub members who join by May 15, 2026, and will ship the day you join. Membership includes 25% off all regular collection stencils, a project and PDF from the featured artist, and an additional members-only project from me.
Follow Dee Dee Catron on Instagram @deedeecatron
Explore more at @stencilgirl_products and www.stencilgirlproducts.com
Join StencilClub here: www.stencilgirlproducts.com/stencilclub
If you make your own version of this accordion house, I’d love to see where it takes you. Tag me on Instagram @gluepaperscissors_ and share your work—because every house, every page, every mark tells a different story.
Friday, April 24, 2026
StencilGirl® Coin Folder Collaboration Challenge with Tina Walker
Hello lovelies!
Tina Walker here with my latest StencilGirl® collaboration challenge. This month, we have a super fun and interactive challenge - I challenged artists to create a project, any type of project (altered, dimensional, book, or more) using Coin Collector booklets. Look below in case you are wondering what we are talking about.
"I knew for this challenge, I wanted to do something involving flowers since Spring is right around the corner. Shrinky Dinks are an absolute PERFECT substrate for StencilGirl products! I paired my shrinky dinks with pressed flowers in resin and floral acetate pieces from Tina Walkers etsy shop and I think it turned out beautiful!"
This type of project NEVER crossed my mind. How creative and fun
I loved pulling out some of old school, traditional scrapbook techniques, such as glitter and embossing. I forgot how cool these were.




















































