A blog for the StencilGirl® Product line owned by Mary Beth Shaw for people who love stencils like we love stencils.
Tuesday, February 6, 2024
How to Create Pendants and Earrings Using Polymer Clay and StencilGirl Stencils
Thursday, May 5, 2022
Cinco de Mayo with StencilGirl® Stencils
Hi, everyone! Laurie Mika here! Today is Cinco de Mayo, the fifth of May, which is a celebration of the Mexican Army’s victory over the French at the Battle of Puebla on this date in 1862. While the holiday is a relatively minor one in Mexico, here in the United States, this holiday has evolved into a beloved commemoration of Mexican heritage. Being a lover of Mexican culture and traditions, I thought today’s blogpost would help celebrate Cinco de Mayo by focusing on handmade polymer “Milagros”.
Milagros, which literally translates to miracles, are tiny, tin folk art charms that are used for healing purposes to give thanks for answered prayers. People pin individual milagros to the fabric of a saint or they can also be nailed onto churches. Sometimes these little charms are carried with people to remind them of their prayer for healing or gratitude. They come in a variety of shapes and sizes and often depict body parts which are often in need of healing.
My Milagros were created using polymer clay and my Milagros and Sacred Hearts stencil sets.
I am showing two different ways to use your stencils with polymer clay.To begin with you will need to condition a 2 ounce package of polymer clay by kneading the clay until it is soft. Next you will roll out a slab of clay (using a rolling pin) to about 1/4 inch thick. I roll out my clay on wax paper so it doesn’t stick to my work surface.
For an embossed stencil look, lay your stencil on your slab and push down lightly to set.
Then use your rolling pin to roll over the stencil applying firm pressure to “emboss” the design onto your clay surface.
Use a clay scalpel or an exacto knife to cut out the design from the clay slab.
If you would like your Milagros to hang on the wall, you will want to use a skewer or straw to push through the clay to create a hole. Next with a very light touch, use silver Rub n’ Buff to touch the surface of the embossed design and bring out the pattern.
For the second technique, I used a stencil from my sacred hearts collection and followed the same steps as above. However, instead of using the rolling pin to emboss the design on the clay, I simply set the stencil on the clay and then used a paintbrush to add the silver Rub ’n Buff over the top of the stencil. Be mindful that the Rub ’n Buff stays sticky until it is baked. Be careful not to touch those areas or it may smear. I then followed the design to cut out the heart with a scalpel.
Next, I added a few details of a mixture of black and raw umber paint to give the Milagro a bit more depth and to make it look more aged.
If you would like traditional looking milagros, then you are done!! The pieces just need to be baked. However, the embedding step is my adaptation of creating milagros by adding some bling to give them a beautiful jewel-like look!
Carefully lay out your desired bling/“do-dads”. Cut rhinestone or ball chain to size.
Remove the do-dads. To adhere the rhinestone or ball chain, paint a channel of glue using a small paintbrush and Weldbond glue. To embed other items into clay, I have found that using a pencil eraser is helpful to get them sunk or securely embedded into the clay.
If some of your Rub n’ Buff has smeared, I recommend using a fine detail brush and some black paint to help restore the details.
The very last step is baking. I recommend using a small dedicated polymer clay craft oven. I generally bake in a 275 degree oven for about 25 minutes.
Tuesday, May 5, 2020
Milagros, Hearts, and Alchemy
Laurie Mika has a thing for hearts and she has a bathroom filled with her collection of hearts from around the world.
It is these tin hearts that became the source of inspiration for this collection of heart stencils. Laurie's favorite hearts are Mexican folk art sacred hearts and a lot of her polymer clay shrines incorporate this type of imagery so she wanted to design stencils that could be used with polymer clay as well as with paper arts and collage.
Cut the Four Sacred Hearts Stencil into 4 parts, and the ATC stencil into 9 hearts for ease of use. Perfectly sized for ATCs but you can use them anywhere in your art.
Over the past few years, the influence of Medieval art has also informed much of Laurie's polymer clay work but more recently she has been drawn to the imagery of alchemy, the medieval forerunner of chemistry. From anatomical hearts to the Hand of Mysteries, she adores the mystery and magic associated with Alchemy and this was the source of inspiration for these stencils that are a wonderful addition to making Medieval looking shrines.
The Alchemy Stencil depicts hearts, eye(s), a skull with a crown, a sun, and the Hand of Mysteries.
Mexico is the source of inspiration for Laurie's collection of Milagros (miracles), the tiny tin charms that are used for healing purposes and votive offerings. Milagros are often in the shape of body parts because they were used to give thanks for the healing of a particular ailment.
Cut the Milagro Stencil into 6 designs for ease of use: an ear, an eye, a pair of eyes, a hand, an arm, and breasts with the word brave underneath.
Laurie actually took some of her favorite milagros, made a mold from them, and used them with polymer clay that she then embedded. She used these polymer clay milagros to create the actual designs for my stencils.
If you want to create with these stencil designs you can get them HERE.
Tuesday, November 6, 2018
Make Polymer Clay stenciled Gratitude Bowls with Silvia Souza
I have my own gratitude ritual at the beginning and end of each day, but I had a hard time conceiving of a project to express gratitude. Then I remembered art lessons I had once taught and there seemed no better representation of gratitude than a bowl, or three bowls. Bowls for keeping, giving and receiving.
There are Empty Bowl projects around the country to feed those needing food, but most of them are for food safe and ceramic bowls. I no longer have access to a kiln but I do have a toaster oven! The bowls I created are polymer clay.
Stencils used:
Mid Century Modern Rocks & Leaves by Jennifer Evans S586, Fade Horizontal by Michelle Ward L027, Floating Cubes Trio by Andrew Borloz L463, and Mary Beth Shaw's October 2016 StencilClub.
Tuesday, June 12, 2018
Favorite Art Book & Giveaway - Victorian Paper Dollhouse a la Laurie Mika by Silvia Souza
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| Steph's triptych |
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| My triptych |
Laurie Mika's Pilgrimage to India Stencil *You have the chance to win this & more!
Gwen LaFleur's Ornamental Compass, Petals, and Circles Stencils
Andrew Borloz' Grindstones, 4 Tribal Patterns, and Wheel Spokes Stencils
Carolyn Dube's Connected Eyes Layer Me Stencil
Mary Beth Shaw's ATC Mixup 1 & 2 as well as the large stencil from October 2016 StencilClub
Enter by commenting below by June 17th, 2018. One winner will be chosen at random on June 18th. Winner notified by email.











































