Hello! I’m
Dar James, a painter and
GOLDEN Artist Educator, living in eastern PA. Today I’m sharing what I hope you
find to be a relaxing, “zen-like” project that celebrates cairns, or
rock stacks. Cairns are human-made piles or stacks of rocks that have had
navigational, spiritual, religious, cultural and decorative significance since
ancient times. One of the things I like best about cairns is that, when I encounter
one in the world, I think of another human making it for the enjoyment and
delight of a stranger, and this fills me with a sweet kind of hope.
I’m also
going to show you to something really cool that you can do with stencils that
have a CIRCLE theme and go along so well with the idea of collage
cairns…stenciling acrylic skins! Acrylic skins can be created with
either Heavy Body or Fluid acrylic paints, as well as a wide array of acrylic
mediums and gels. Once dry, they are fabulous to cut into shapes and use in a
variety of collage and mixed media work.
To get
started, you will need page protectors, acrylic paints and a palette knife. The
page protectors will allow the skins to be peeled off once they are dry. Other
kinds of plastic do not work as well.
I like to
insert a piece of paper inside my page protector, with the “recipe” I am using
written underneath the area it will be spread. You can be very inventive with
colors, mediums and various specialty gels and pastes when creating skins.
Experiment and see what happens!
For my
Heavy Body skin, here, I am using GOLDEN’s Light Violet. For the Fluid skin, I
am using GOLDEN’s Cobalt Blue with a bit of Titanium White. Squeeze or spread
the paint onto the page protector and use enough of it to get a nice, thick
application. If you make the layer too thin, it may tear when taking it off
after drying. Depending on the thickness of your paint, temperature and
humidity, skins can take 24+ hours to fully dry. Let them dry completely in a
place where they will not be disturbed. Make several, using different colors
and different thicknesses. Try things like not mixing your paints completely to
have subtle swirls or adding paint to mediums to get more translucent effects.
The sky is really the limit on these!
Once they
are completely dry, carefully peel them off the page protectors and place onto
a work surface. Then, use stencils to create pattern, texture and color on your
skins!
Here I am
using cut outs from Stone and Pebble Tilings with light blue fluid
acrylic on a dark blue skin applied with a make-up sponge.
This is orange
heavy body acrylic on a green skin with a slanted stencil brush, again with a
section from Stone and Pebble Tilings.
This is metallic
acrylic spray paint on a black skin with a lovely, delicate design called Puddles.
And, here,
is magenta spray paint on an orange skin with a stencil called Organized Chaos.
You can
also use mediums with color to create raised, acrylic patterns on your skins.
For this mixture, I’ve used Soft Gel Gloss with Heavy Body Micaceous Iron Oxide.
(If you have not experimented with MIO, it is some of the coolest paint ever!)
Press your stencil onto a dry acrylic skin and then, with a palette knife,
spread the mixture carefully and gently over the top. Scrape off any extra
(which you can use to create another skin!) so that you do not have big blobs
of paint. This design is Organic Zen Circles.
Carefully
peel up the stencil to reveal the pattern in relief! Set aside to dry fully.
Once your
skins are completely dry, you can use them for collage and mixed media work. Be
sure to store your skins so that they don’t touch each other or fold onto
themselves. They will stick and be very hard to separate. Parchment or “deli”
paper works well between them, or leave them on their page protectors and stack
separately.
Use
Pinterest to explore different cairn designs and configurations. Get out the
skins and papers that inspire you for this project and lay them out around your
substrate. Here I am using a 4x8” Cradled Birch panel by DaVinci, but you could
use any kind of substrate that strikes your fancy—paper, canvas, even a wood
round would be interesting. I have taped off the edges with blue, painter’s
tape because I like them clean, but you could leave them open and paint them as
well if you prefer. The panel is primed with black gesso because I love the way
that black peeks out beneath just about any color, but you can prime with white
too.
I’m using
a variety of whites and off-whites to create a dry-brush background that is
“quiet.” Because the skins and paper I am using are patterned, I want a
background that is less busy so that it doesn’t compete with my design. Also
added is a tiny bit of GOLDEN’s Iridescent Pearl with Starlight Mini. Whenever you use iridescent
or iridescent colors within your layers, they add luminescence and light to
your work! Pearl is one of my favorites because it can be used as-is, diluted,
or tinted with any color for amazing shine and glimmer.
Last, but
not least, I’m adding an ethereal bit of detail with and GOLDEN’s Titan Green
Pale. GOLDEN makes a line of “pales” that are absolutely wonderful for subtle
color hints on whites and neutrals—or just about any color, really.
You can
work from a photo to create a design that resonates with you, or make up your
own. Jump in and begin cutting your rock shapes! Think about what color, size
and shape arrangements reveal your own personal sense of balance. Avoid
adhering anything just yet and know that if something doesn’t look quite right,
you can remove it and save it for another project. You can even work on more
than one at a time and create a series.
When you
have a design you are happy with, use Soft Gel Gloss or Matte to adhere your
pieces by brushing some down beneath the shape, placing the shape and then
brushing more on top. Finish the piece with dots and detail if you’d like and,
when that is dry, add another coat of soft gel—a palette knife can be helpful
to make it even and smooth.
I used a
gloss gel to adhere, but my final layer was a matte finish. Details were done with
fluid acrylics and “nail art” dot tools.
Square
substrates offer different ways of designing your cairns.
Cool and
warm colors have different vibes!
One of my
favorite ways to finish these is with a coat of shiny, resin. (ArtResin)
Wouldn’t
these collage cairns be fabulous in a collection or as a soothing gift for
someone special? I hope you have fun with this project and share your results
on Instagram by tagging me! @indarsworld
This
lesson comes from my upcoming Online Course, “Circle Celebration,” a
three-module course that is a playful, open-ended exploration of technique and
materials that informs our personal preferences and styles. Join my mailing list at www.darsworld.com to be
notified of specially priced, early registration which will be available on
November 2, 2020.
Each
module is three weeks long and contains nine exercises and three projects, a
total of 12 videos, accompanying downloadable pdf files, and eight bonus
mini-lessons on specific types of acrylic materials. The three modules will be
available separately as well as a bundle. A private Facebook group will be
where we will all interact and share our work, brainstorm and inspire each
other.
The course will begin on
December 7, and came very much from being an artist in quarantine, as well as
from a deep searching in my own artist’s heart and soul. New things come from
pushing ourselves out of routine, from trying new tools, from slowing down and
focusing on very small but poignant moments. I have concerns about the hyped up
type of art courses that promise unattainable creative outcomes without
addressing the foundational experiences that allow us to understand our own
preferences for such simple things like line, color and medium before we even
attempt technique. My hope is that, through this course and the small moments
within, participants will be able to slow down and notice what they love about
art supplies, making marks and their own feelings and preferences about things
like color, texture and shape.
Dar James
