Showing posts with label journal cover. Show all posts
Showing posts with label journal cover. Show all posts

Thursday, September 10, 2026

Stenciled & Quilted Journal Cover



Hello Art Lovers, Linda Edkins Wyatt here with a new project using my stencil designs and a bonus sale on my stencils for the next two weeks when you use the coupon code SPIRAL20. 



I keep two kinds of journals — art journals with blank pages that I fill with paintings, drawings, and collage, and lined marble notebooks that I use as writing journals. I keep a marble notebook on my bedside and write all kinds of unrelated things in it — interesting dreams, Wordle and Connections puzzle possibilities, color formulas for digital artwork, interesting quotes, things I'm grateful for, and rambling morning / evening pages.

I decided that I could really use a removable, reusable cover for my marble notebooks, so I decided to give making one a try. And what could be better than designing a cover using my very own stencils?

I pulled out a few of my favorites to try stenciling onto cloth. I was feeling very experimental, and didn't have a plan or repeating pattern design in mind. I put some smooth, lightweight 100% cotton fabric on my worktable, pulled out some favorite colors of acrylic paint, gathered my stencils, found some cosmetic wedges to apply the paint, and started experimenting. I used heavy-body acrylic so that the colors didn't seep under the stencil edges. 

Below are the stencils I used:

Spiral, Lemurian Garden #M304; 

Lily, Lemurian Garden #M302; 

Lemurian Poppy, #S900; 

Woodcut Garden, #S958; 

Woodcut Mix, #M335; and 

Pansy, Lemurian Garden #M303. 

(You can see that they are well-loved by all the paint and stains on them!)




Here's a tip: I always put clear packing tape around all edges of my stencils when they are brand-new.  Many of my designs go right up near the edge of the mylar, so the tape gives some extra space and helps to avoid accidental smudges. I put the clear tape on both sides so there is no stickiness, and since the tape is clear, it allows me to see what is underneath.





Here's another tip: I used painter's tape to mask off some sections of my stencil when I had a small space to fill. On the bottom left photo you can see that I taped off the outer petals of the Pansy to make it a little smaller. I also taped off parts of the dots from the spiral and used them to fill in empty spaces and add visual interest.




I was pretty happy with the printing, but the white background bothered me. It seemed too boring. I also wanted something to unite the colors and patterns, so I decided to conduct a few tests and see if I could change the background color with some watered-down ink.



I liked the colored backgrounds, but decided to go lighter so that the stencils would pop more. Below, I diluted the ink with water and tried again. (I felt kind of like a mad scientist!)



On the left photo, I tested an edge with the light pink ink, and liked the look. So, I went ahead and covered the whole piece with light pink. I was anxious to see how it would dry, so I pulled out my hairdryer to help speed things up. Once the fabric dried, it was pretty, but needed something more. I decided to enhance it with quilting. 

I made a "quilt sandwich" with the stenciled and dyed fabric on top, thin batting in the middle, and some plain pink fabric on the back. I pinned the three layers together, then, using pink thread, did some free-motion machine quilting in a swirly pattern.



Once it was quilted, I carefully trimmed the fabric using my rotary cutter, metal ruler, and cutting mat to a size (11" x 17") that would fit nicely around the 7.5" x 10" book. I stitched an 11" x17" piece of the pink backing fabric to create a facing for the marble notebook's cardboard front and back to slip into.





After stitching the backing, I realized that I hadn't allowed for an opening that the marble notebook covers could slip into! So, I sliced down the center of the backing carefully and created two pockets for the front and back of the marble notebook.






It was almost finished, but the front cover seemed too plain, so I decided to honor my very first stencil, the spiral, by using it for a decorative front embellishment. 


The spiral is the shape that got me started as a stencil designer so it is kind of a "favorite child". I had entered a hand cut a spiral stencil, along with artwork created from that stencil, in a Cloth Paper Scissors magazine "Hand Cut Stencil" reader's challenge. It was among the winning submissions featured in Cloth Paper Scissors May/June 2016 issue. 

That success inspired me to join StencilClub, gave me the courage to apply to be part of the StencilGirl Creative Team, and eventually the confidence to submit my own stencil designs in 2020. 

Here's the artwork created with my very first spiral stencil, and the cover of the issue from 10 years ago that it appeared in:




My first try at a stenciled embellishment for the front cover of my journal wasn't quite right. I liked the turquoise spiral on the hand-dyed olive fabric, but the colors clashed with my quilted cover. I tried uniting the spiral patch with the cover by adding decorative buttons covered with some of the dyed fabric experiments. It was interesting, but not quite right, and also would have been too lumpy on a journal.


So, I used some of the cotton that I had dyed light pink (using the leftover dye from my earlier experiments) and tried stenciling the spiral with both white embossing powder and white acrylic. I tested both deep pink and aqua inks over the white spirals to see what looked best.



Once the samples were dry, I decided on the pink version that was dyed over white paint. I was a bit surprised that the white paint created a better resist than the embossing powder...on paper embossing creates a beautiful resist, but on fabric, the embossing ink sunk into the fabric too much and looked spotty. 

Next, I debated about the shape, and decided on a circle. I traced around a roll of packing tape to make the circle, then rusticly hand stitched the white spiral with white thread, basted the edges, and added some turquoise beads around the edge. The beading is a little wonky, as is the white hand quilting, but I decided to embrace my wonkiness and let go of my Virgo quest for perfection. My inner critic is still screaming at me to fix it and make it perfect :-)

As a final touch, I created a page marker with a handmade tassel, a few small beads, and one of my own handmade beads made from recycled Tyvek USPS mailers. If you want to see how to make the tyvek beads, here's a link to my post on bead-making.


Last but certainly not least, don't forget to use code SPIRAL20 to get 20% off any of my stencils through 9-24-26. 

If you want to see more of what I've been working on,  I hope you'll take a look at my beautiful new website and see all my favorite creations, especially my stencils & stenciled art section!

Happy Creating! 

Linda :)






Tuesday, August 4, 2026

Make a Stenciled Fabric Journal Cover with August 2026 "Washed Ashore" Stencil Club Stencil Set

Turning an Ocean-Inspired Stencil into a Fabric Journal Cover

Hello! My name is Kim Hamburg, and I am a mixed-media artist with a particular love for stencils. I enjoy discovering how a single stencil can change depending on the surface, the colors, and the way it is layered. Lately, I have also been interested in making journal covers, so this project brought those two interests together.

A handmade cover can transform even the simplest notebook into something personal and useful. It also provides a wonderful surface for experimenting with paint, pattern, and texture.

This month’s StencilClub exclusive is Washed Ashore, designed by artist June Pfaff Daley. June created the collection around a beach-inspired theme, drawing on organic forms found in the sea, including kelp, seaweed, plankton, and other drifting, plantlike shapes.



That was her vision, but one of the things I love most about stencils is that they leave room for each artist to see something different.

The large, flowing stencil immediately reminded me of bamboo. Its long stems, segmented joints, and narrow organic shapes made me think of tall plants growing together in a grove. I decided to follow that interpretation and use the stencil to create a layered fabric design for the cover of a small notebook.





Supplies

  • Washed Ashore StencilClub stencil set, designed by June Pfaff Daley
  • Small notebook or journal
  • Cotton, linen, or cotton-linen fabric
  • House paint or acrylic paint for the base color
  • Jacquard textile paint in three colors, or any acrylic paint
  • Stencil brush, cosmetic sponge, or foam applicator
  • Posca paint marker
  • Foam brush or sponge for applying glue
  • Scissors
  • Stapler
  • Additional papers, optional, for creating your own journal pages
  • PVA glue mixture

My PVA Glue Recipe

For this project, I used my original PVA glue mixture:

  • 3/5 white PVA glue
  • 1/5 water
  • 1/5 gloss medium

For an easy-to-measure batch, combine:

  • 3 tablespoons white PVA glue
  • 1 tablespoon water
  • 1 tablespoon gloss medium

Mix the ingredients thoroughly in a clean container. The water makes the glue easier to spread, while the gloss medium adds flexibility and creates a smooth adhesive mixture for attaching fabric and paper.

Preparing the Fabric

For this project, I used fabric cut from an old pillowcase. You can use almost any fabric you have available, although I recommend cotton, linen, or a cotton-linen blend. Natural fibers tend to accept paint well and are easy to fold and glue.

Before beginning, make sure the fabric is large enough to cover the notebook you plan to use, with approximately one extra inch extending beyond all four edges.

Paint the entire piece of fabric with a solid base color. Depending on the original color and pattern of the fabric, you may need more than one coat.

I used regular house paint for the base, but acrylic paint will also work well. Allow each coat to dry completely before adding another.



Building the Three-Color Design

For the stenciled pattern, I used Jacquard textile paint in three colors, although any acrylic paint can be used.



I positioned the large stencil on the dry fabric and stenciled the entire design in white. Once the white paint was dry, I moved the stencil approximately one-quarter inch from its original position and stenciled the complete design again in green.



After the green layer dried, I shifted the stencil another quarter inch and repeated the process in yellow.


The slight shift between each color created a much more interesting effect than a single stenciled image would have produced. The three offset layers gave the design movement and depth. The bamboo-like forms remained visible, but they also became more abstract—almost like a hand-printed textile with intentionally imperfect registration.

When the paint was completely dry, I used a Posca paint marker to add small marks at the joints of the bamboo. These details emphasized the segmented structure of the plant and brought some definition back into the overlapping pattern.

The finished design created an interesting balance between botanical imagery and abstraction.

Preparing the Journal Cover

I used a small notebook from Dollar Tree as the foundation for my journal. I carefully removed the paper pages from the original cover, keeping both the pages and the cover intact so they could be reassembled later.

Place the open notebook cover on the back of the stenciled fabric. Cut the fabric so that approximately one inch extends beyond every edge of the cover.



This extra fabric will be folded around the edges to create a wrapped cover.

Attaching the Fabric

I used my PVA glue recipe to attach the fabric to the outside of the notebook cover.

Apply an even layer of glue over the entire outer surface of the cover. A foam brush or sponge works especially well for this step because it makes it easier to cover the complete surface, including the edges and corners.

Carefully place the cover, glue-side down, onto the back of the fabric. Make sure the design is positioned the way you want it and that approximately one inch of fabric remains around every edge.

Turn the cover over and smooth the fabric from the center outward. Press out any wrinkles or air pockets, then allow the cover to dry.

Once the fabric is secure, turn the cover over and begin wrapping the one-inch fabric allowance around the inside edges.


Before folding the corners, make a small diagonal cut in the fabric near each corner. This removes some of the bulk and allows the fabric to lie flatter when folded. Be careful not to cut too close to the edge of the cover.

Apply more PVA glue, fold the fabric over the edges, and press it firmly into place. Trim away any excess fabric as needed, then allow the wrapped cover to dry completely.


Finishing the Interior

To give the notebook a cleaner and more finished appearance, cut two additional pieces of fabric slightly smaller than the inside front and back covers.

These pieces will conceal the folded fabric edges and create a neat lining.

Apply PVA glue to the inside covers, position the smaller fabric pieces over them, and smooth them carefully into place. Make sure all the edges are firmly attached, then allow everything to dry thoroughly.


Reassembling the Journal

Once the cover is completely dry, place the original Dollar Tree journal pages back inside and staple them into the cover.

You can also replace the original pages with your own selection of papers. Drawing paper, writing paper, lightweight watercolor paper, painted papers, vintage ledger sheets, or a combination of surfaces could all be used to create a more personalized handmade journal.

The same technique could also be adapted for sketchbooks, travel journals, small albums, or handmade books.


Seeing the Stencil Differently

June Pfaff Daley created Washed Ashore with organic ocean forms such as kelp, seaweed, plankton, and other plantlike shapes in mind. I love that the very same stencil led me in another direction.

By seeing bamboo in the large design, shifting the stencil between colors, and emphasizing the plant joints with a paint marker, I was able to create a pattern that felt botanical, abstract, and entirely my own.


That is the beauty of artist-designed stencils. They give us a place to begin without telling us exactly where we must end.

I would love to see what you make with the Washed Ashore stencil set. Be sure to share your projects on Instagram and tag me so I can see how you interpret these designs.

Find me on Instagram:
Kim Hamburg — @gluepaperscissors_

Find June Pfaff Daley on Instagram:

@junedaleyart

StencilGirl Products:
Instagram: @stencilgirl_products
Website: stencilgirlproducts.com

Tuesday, February 8, 2022

How to Customize a Journal Cover

How to Customize a Journal Cover by Renee Day

Hey there!  It's Renee from thediyday here to share one of my favorite hobbies, journaling.  Surprisingly, when it comes to journaling, I enjoy personalizing those inexpensive $0.59 composition books.  The covers usually have some basic design to them and it's easy to incorporate that with my own creative touch.  Here's how I decorated my composition book with some of my favorite  StencilGirl® Stencils.


How to Customize a Journal Cover by Renee Day

I wanted to incorporate most of the journal design into my design, so I decided to cover up the portions I didn't want with Gesso.

How to Customize a Journal Cover by Renee Day

Then I used Matte Medium and attached collage paper to the cover (allow this to dry fully).

How to Customize a Journal Cover by Renee Day

Next, I watered down some Heavy Body Acrylic Paint to the cover, giving a transparent effect.

How to Customize a Journal Cover by Renee Day

Then I grabbed the Speckles and Spots Stencil (L587) by Carolyn Dube and added some fun spots to the cover.

How to Customize a Journal Cover by Renee Day

I also added a pink and blue stain to brighten up the cover.

How to Customize a Journal Cover by Renee Day

Once the cover was fully dry, I added a layer of texture with the Soulful Scribbles Dots and Dash (L605) by Traci Bautista and 3D Gloss Gel.

How to Customize a Journal Cover by Renee Day

Last, I stenciled some circles using the Fade Horizontal Stencil (L027) by Michelle Ward. 

StencilGirl® Stencils

Now, my journal is ready for some journaling, lettering, and doodles!


Thank you for following along!

Renee 

    

  

Wednesday, April 20, 2016

Stenciled Journals & Message Boards

Hi! Aleta Jacobson here! I am so pleased to be here to share my ideas and creative process!

We all love stencils. I have never heard anyone
from students, to my friends, to other artist say they didn’t like them.
We are all hooked. And why not? Stencils are tools that come in so many shapes and sizes.
No matter what kind of art you are creating, you can always use a stencil. 
There are so many things that you can use stencils for;
I would run out of room if I were to include them here.
These are just a few things that I use my StencilGirl stencils for.

The StencilGirl stencils I used for these projects are:
 
Stenciled Journals

My first and favorite is to cover journals.

I paint on the covers of theme books that I get at my local office supply store.
I usually buy a few at back to school time when they have their sale.
Some spiral bound books at Staples that are made with sugar cane papers so they are eco friendly and they are easier to paint on as they are a course paper that takes the paint well.

Supplies: Brayer, Golden paints, StencilGirl stencils, waxed paper, theme book or spiral notebook, palette paper, rags or paper towels, brushes, make-up sponges, water bucket.

 First, I tear some waxed paper and place it under the cover to protect the pages.
I also do this when I paint the back of the cover.
A theme book is very slick, so it takes a few layers of paint. 
 I have used gesso and then painted the cover, but you can just put a light layer of paint and let it dry overnight.
If it’s not completely dry, it will peel off the first layer.  
Next, I lay down a good layer of paint on the covers. I use a mixture of colors on the covers.
Teal, titanium white, Naples yellow are some of my favorites.
Payne’s Gray, Titan Buff, and Anthraquinone Blue mix nicely also.
After the books are dry completely, I stencil over the painted cover. Sometimes, the work on the cover needs a bit of touch-up or some blending around the image. I sometimes go over the stencil again with other colors to make it pop. Blues and oranges are my go-to complements.  


Stenciled Message Boards
My next project originated from a friend’s request.

I had a message board that I purchased cheaply because one of the clips was broken. I took it to my studio to hang for announcements of my classes and students information.

When my friend saw it, she thought I had made it. She asked if I would make her one. 

Supplies: Pre-cut craft wood 2 feet long x 3 inches wide and 1/2 inch thick, paint of your choice, gesso, StencilGirl stencils, make-up sponges, brayer, large clothespins, D ring hook, medium sanding block, paper plates, E6000 glue, water bucket, rags or paper towels.


 I went to the lumber yard and got some pre-cut “craft wood.”
First, I paint a coat of gesso on the board and let it dry. Then rolled paint over the gesso.
I mix the paints as I did on the journal covers. I love the mix of magenta and Payne’s Gray. 

After the paint is dry, I sand the surface just a bit with a medium sanding block.
Don’t sand too hard. This is just to get the paint smooth.
Then, I picked some stencils and create some great images.
Collage papers can be added, too. I also paint the edges of the board. 
 When, I have the board the way I like it, I add the clothespins.
I painted these also, but you can leave them natural, as they look great either way.
I glue them onto the board evenly spaced. 
When the glue is dry, I add the D ring to the back of the board, with a screw for hanging.  

I love to work with different supplies and tools and find new ways to manipulate them.
I sometimes just sit and brainstorm with some things to see what I can come up with.
I never have artist block and I know it’s because of my playing that keeps my brain in creative mode.
I can be found at:
 My work has also been published in these books: Incite 1, 2, and 3 from F&W media.