Art Journaling with StencilGirl® Stencils

I’m continuing to illustrate the words of a poem by Ben Okri, as you will have seen on various of my previous projects here (just put my name in the Search section of this blog, and you will find them all). We have arrived at the words: “We ought to use time like emperors of the mind”. As luck would have it I had some vintage images of emperor like images although Caesar (featured on the left hand page) was strictly speaking not an emperor. Marcus Aurelius (on the other page) was.

Here is how this spread came to be:

1.      Gesso 2 facing pages from the ArtbyMarlene large art journal or any journal of your choice.

2.      With a glue stick (I used UHU) add elements to the pages as shown. I added vintage text, text and images printed on tissue paper, and torn circles from an Italian handmade paper.

3.      Gesso the pages again, this time with very watered down gesso.

4.      Add color to the pages with Distress Markers and remove it through the large stencil from Mary Beth Shaw's Private Collection 20.1, using a baby wipe. I used the following colors: Turquoise, Brushed Corduroy, Candied Apple and Walnut Stain.

5.      Using a variety of Golden Fluid Acrylic Paints (I used Greengold, Turquoise, and Quinacridone Magenta), repeat step 4, but this time using the small stencil from Mary Beth Shaw's Private Collection 20.1.

6.      Using black acrylic spray paint (I used Liquitex) and Greek Key Small stencil, spray onto deli paper and also use the sprayed stencil to stamp a mirror image on another sheet of deli paper.

7.      Tear out pieces of the deli paper made in step 6 and glue onto the pages together with vintage images of “emperors” as shown.

8.      Using a black permanent marker and the small stencil from Carolyn Dube's Ideas StencilClub set and Seth Apter's Timeless stencil (for the word TIME), add the words from the quotation by Ben Okri to vintage paper, tear out, edge with a permanent black stamp pad and glue onto the pages as shown.

9.      Add some white acrylic ink splatters to the pages.

10.  Spray on some sparkle through Greek Key Small stencil using blue mica spray.

11.  Glue on postage stamps as shown.

12.  Edge the pages with a permanent dark blue ink pad.

© Frieda Oxenham 2020. To see more of Frieda's work, please visit her BLOG.

A Painted and Stenciled Tribute to Tennyson by Linda Edkins Wyatt

Hi, Linda here with a journal spread that I hope makes you think of warm days and the smell of blooming blossoms! On reading "The Flower," a work from Victorian poet Alfred Lord Tennyson, I pictured roses in full bloom, spilling over a garden wall, their scent filling the summer air and their petals falling softly to the ground. I had just purchased a new Dylusions square art journal, and I thought a beautiful, painterly spread would be the perfect way to christen it.

A Loft shopping bag inspired my journal spread.

For the design and colors, I was inspired by--of all things--a shopping bag! I had purchased some gifts for my daughter at our local Loft store and saved the gorgeous paper bag. (Naturally, I filled the bag with art supplies and unfinished projects!) The bag had pink flowers on a background that changed from dark brown in the front and back to white on the sides. It really spoke to my inner textile designer. I decided to try and capture that idea in my journal spread.

The brand-new journal, with a cover using a Kristie Taylor's Tapestry stencil.

I started by penciling off the areas that would be dark and light. I also penciled in an area where I wanted to have the Tennyson poem on a tag. I taped the line separating the brown from the white with removable blue painter's tape.

First, I painted the brown background. It was pretty boring and streaky so I added an Aboriginal stencil over it and sponged on dark purple paint.

The brown background has an added layer of purple using the medium-sized Aboriginal June 2019 StencilClub design by June Pfaff Daley.

I removed the blue tape, then placed it over about an inch to the left to work on the right side of the page. On the white section, I used Nested Squares Full by Carol Wiebe and sponged on light tan paint. (I mixed it using white with a dab of the same brown that I had used on the left.)

I removed the blue tape and had a nice clean line separating the dark and light sides. For the flowers, I wanted an impressionistic, painterly style. On my Teflon mat, I squeezed out blobs of magenta and white acrylic and mixed several shades of pink.

I started by painting light pink flowers on white watercolor paper and had an idea of cutting the flowers and gluing them to the journal. But...I was having so much fun painting that I threw caution to the wind and painted right on top of the stenciled backgrounds. It was one of those scary/exciting moments because I wasn't sure how the flowers would turn out...I was channeling my inner Monet...and fortunately, my painting found the balance between loosely relaxed and sloppy! If I had painted the flowers and cut them out, the overall look wouldn't have been as free and impressionistic.

The flowers needed a center, so I used a dab of Golden Green Gold and Golden Quinacridone/Nickel Azo Gold fluid acrylics through a circular area of the medium Aboriginal stencil. It gave the flowers just the punch they needed.

  

 

For the leaves, I used two Art Foamies leaf stamps with Liquitex Basics Brilliant Yellow Green acrylic paint. I also put some dots of green and pink here and there to add movement and color and make it feel like there were petals falling.

I sponged white acrylic paint on with a cosmetic wedge.

 

Next, I worked on the tag. It was cream-colored, so I again used the Nested Squares Full stencil, but this time with white acrylic. When it was dry, I painted some loose pink flowers in the same style as the journal spread and added a couple sponged leaves.

I wanted the poem on the tag, so I measured the "live area" of the tag to be sure the words wouldn't bump the edges. On my computer, I used Microsoft Publisher to create some textboxes that would be tag-sized, then flowed the poem into the space. I made one rectangle in small print with the whole poem, and one in a fancier font with the first three stanzas. 

Next, I printed the words out on an Avery clear mailing label. I carefully trimmed the sections, peeled away the backing, and applied it to the tag, then pressed it carefully so it would "melt" into the background. The fancy font poetry went on the painted side of the tag, and the small, full poem on the back.

 

I decided to have the tag attached with a sheer ribbon and pink brad at the top of the page. My original idea was to make a pocket on the left side, but I didn't want to cover up the pretty flower that I had painted on the left. By having the tag attached with ribbon and a brad, it makes all the flowers visible and allows the tag to float on the page. There is enough ribbon attached to the tag that I can use it in the future as a bookmark or placeholder for other journal pages.

Here's the whole poem by Alfred Lord Tennyson that inspired my journal spread:

Once in a golden hour
I cast to earth a seed.
Up there came a flower,
The people said, a weed.
To and fro they went
Thro' my garden bower,
And muttering discontent
Cursed me and my flower.
Then it grew so tall
It wore a crown of light,
But thieves from o'er the wall
Stole the seed by night.
Sow'd it far and wide
By every town and tower,
Till all the people cried,
'Splendid is the flower! '
Read my little fable:
He that runs may read.
Most can raise the flowers now,
For all have got the seed.
And some are pretty enough,
And some are poor indeed;
And now again the people
Call it but a weed.

Poetry in a Cup with Sandee Setliff

If I could write a poem,

I would write one for you.

But I cannot write a poem,

so this will have to do.

And I think it does nicely if I say so myself.

My project inspired by our poetry theme this month is extremely easy to create and there is no harm in a simple project, especially when it is a card that you need to whip up for a friend. We both drink tea and love to go to tea parlors and have afternoon tea whenever we travel together so the Tea Cup Stencil was my go-to muse.

Finding a tea inspired poem that I haven't already used was a little more difficult, lol There is something about the teacup that inspires the poetic in me but unfortunately the poet in me needs to have my poetry prepared for me and there aren't a lot of tea poems out there.

The way I created my card was by coloring inside the stencil lines with water soluble pencils

 and then using water to activate the pencil which gave my card a soft watercolor effect that looks more hand drawn rather than stenciled.

Stencils I used:

Tea Cup stencil by Sandee Setliff

Doily stencil by Sandee Setliff

Butterfly Journeys stencil by Carolyn Dube

 Painting is poetry that is seen rather than felt.

 Poetry is painting that is felt rather than seen.”. 

LEONARDO DA VINCI

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perfect for Mother's Day card:

and another fun friendship card:

Sandee