Thursday, June 25, 2026

Stencils & Craftivism: Art and Craft as Tools for Activism

Today let's take a look at how art has brought about awareness and change through history. Recently we have seen an increase in what is sometimes referred to as craftivism, using art and craft express one's beliefs.  Many people may feel art has no place in the political realm, but nonetheless  throughout history, art and craft have been used as powerful tools for protest, resistance, and social change. Creative expression allows people to share ideas, challenge injustice, and unite communities around a cause. Whether through music, textiles, posters, or public art, artists and makers have helped raise awareness and inspire action when traditional voices were ignored or silenced.


Michelle Schenker created this piece using 
Carolyn Dube's We Carry Each Other and Heroic Words stencils.




During the era of slavery in the United States, art and craft played an important role in preserving culture and communicating hope. Oral traditions, spiritual songs, and storytelling were used by enslaved people to express resilience and a desire for freedom. Some historians believe that certain quilt patterns may have been used to share information along the Underground Railroad. Regardless, quilting became an important cultural craft that reflected identity, community, and survival.



In this piece, from the Revolutionary Stitches art show, 
Mary Beth used her We the People stencil. 


The women's suffrage movement of the late 19th and early 20th centuries made extensive use of art and design. Activists created embroidered banners, hand-sewn flags, posters, buttons, and postcards to spread their message and gain public support. These visual materials helped make the movement more visible and gave women a creative way to participate in political action. Purple, white, and green became recognizable colors associated with the fight for voting rights in many countries.

Martha Christopher used Cat Kerr's Starman/Starwoman stencil, Carolyn Dube's Strong Women stencil, and  Trish McKinney's Flowing Ribbon Swirls stencil to create this piece inspired by "the women who always found a way to persevere and who paved the way for other women."




In the 20th century, protest art became closely linked to civil rights and social justice movements. During the Civil Rights Movement, songs such as "We Shall Overcome" became symbols of unity and resistance. Photographers documented marches and demonstrations, creating powerful images that helped draw attention to racial inequality. Posters, murals, and graphic designs were also used to communicate messages of equality and justice to a wider audience.


Kristin Peterson created this message of unity in her art journal
 using Carolyn Dube's Finding Your Tribe stencil. 


Craft-based activism continued to grow in the late 20th century. One notable example is the AIDS Memorial Quilt, created in 1987 to honor those who died from AIDS and to raise awareness about the epidemic. Each panel was handmade and represented an individual life, turning a traditional craft into a large-scale public statement. Similar community-based textile projects have since been used to address issues such as violence, human rights, and environmental concerns.



Tina Walker's art book celebrates love in all its forms. This project uses her More stencil as well as Valerie Sjodin's Small Figures People stencil, Jennifer Evans's April 2018 StencilClub Set and Cat Kerr's September 2021 StencilClub Set





Today, artists and activists use many different forms of creative expression, including street art, performance art, digital illustration, photography, and community murals. Public artworks often respond to current events, from climate activism to movements for racial and gender equality. Social media has also expanded the reach of protest art, allowing images and messages to be shared instantly around the world.


DeeDee's zine uses her Eye Charted stencil, Carolyn Dube's Mixed Media Mail stencil,  
June Pfaff Daley's Fireworks Words stencil, and Laurie Mika's Alchemy stencil.





From spiritual songs and suffrage banners to memorial quilts and street murals, art and craft have consistently helped people speak out against injustice. These creative forms of protest not only document important moments in history but also encourage dialogue, empathy, and collective action. Their lasting impact shows how creativity can be a powerful force for social change.


We would like to thank our artists who participated in making the examples of craftivism seen here.   You can find them each on instagram at the following links:

Michelle Schenker 

Mary Beth Shaw

Martha Christopher

Kristin Peterson

Tina Walker

DeeDee Catron

And of course, you can find all of the stencils used at stencilgirlproducts.com





Sunday, June 7, 2026

Stencil Club June 2026: Prairie Harmony by Cynthia Silveri -- A Stenciled Fabric Journal/Notepad Cover


Hello again from Kim Hamburg, mixed media collage artist, collage enthusiast, and collector of more notebooks than I'll probably ever use.

One of my favorite things about mixed media is finding ways to bring art into everyday life. This month, I used Prairie Harmony, a beautiful stencil set designed by Cynthia Silveri for StencilClub, to transform a simple notebook into a custom fabric-covered journal.


Stencil Club June 2026




Inspired by Prairie School architecture, stained-glass design, geometry, and pattern, the Prairie Harmony stencil set reflects Cynthia's love of structured design while still leaving plenty of room for creative interpretation. The repeating motifs and clean lines immediately reminded me of the architectural details and decorative elements often associated with Prairie School design. These geometric patterns translate beautifully to fabric, creating a journal cover that feels both artistic and functional.

This is Cynthia's third time designing stencils for StencilGirl®, and her passion for color, pattern, and design shines through in every stencil opening. The architectural elements create an all-over pattern that feels sophisticated and timeless, making this set especially well suited for fabric projects.



I've made several fabric-covered journals over the years, and they never fail to elevate an inexpensive notebook. Whether you use one for journaling, sketching, note-taking, or gift-giving, a custom cover turns an ordinary object into something unique and personal.

Supplies

        Prairie Harmony Stencil Club Stencils June 2026
  • White cotton fabric (canvas or duck cloth works best)

  • Mod Podge for Fabric

  • Acrylic paint

  • Paintbrush or blender brush

  • Paper tape or painter's tape

  • Chipboard or cereal box cardboard

  • Scissors

  • Glue, Fabri-tac or PVA or use Mod Podge

  • Notebook, journal, or notepad

  • Decorative paper for lining the inside cover

  • Clothespins or clips

Prepare the Fabric
Stencil taped on top of Fabric

Start by ironing your fabric if needed. A smooth surface will help ensure cleaner stencil prints.

Cut the fabric slightly larger than the stencil design area. Position the stencil on top and secure it with painter's tape or paper tape along the edges. Taping the stencil down helps keep it from shifting while you work.

The Mod Podge for fabric will stiffen the fabric and there will be no loose threads so it becomes easy to work with much like paper.



Stencil the Fabric

In a small container, mix your chosen acrylic paint color with approximately one tablespoon of Mod Podge for Fabric. Stir until the mixture is smooth and evenly blended.




Using either a paintbrush or a blender brush, apply the paint mixture through the stencil. Work gently and build the color gradually to avoid forcing paint underneath the stencil.


The architectural and stained-glass-inspired patterns in the Prairie Harmony stencil set work especially well for this project because they create an all-over design that feels intentional and sophisticated once wrapped around the journal cover.

Allow the paint to set for about five minutes before gently lifting the stencil. Be sure to clean your stencil immediately after use. Because the paint contains Mod Podge for Fabric, it will harden as it dries and can become difficult to remove later. I like to take mine straight to the sink and wash it with warm water and a soft brush before the mixture has a chance to cure.

Once the stencil is clean, allow the fabric to dry completely before moving on to the next step.

Create the Cover Structure

While the fabric dries, prepare the new journal cover.

Remove the front and back covers from the notebook, journal, or notepad you wish to customize. Use those pieces as templates to cut matching covers from chipboard or a cereal box.

You'll also need a narrow strip for the spine or top edge, depending on the type of notebook you're covering. Arrange all of the pieces in their proper position and tape them together, leaving a small gap between sections so the cover can fold properly when finished.

Cover the Chipboard

Once the fabric is dry, place the assembled cover structure on the unpainted side of the fabric.

Cut around the cover, leaving approximately ¼ inch of extra fabric around all sides. This extra fabric will wrap around the edges and create a neat, finished appearance.

To adhere the fabric, thin the Mod Podge slightly with a small amount of water. Brush it onto the back side of the fabric and carefully position the chipboard cover onto the adhesive.

Fold the excess fabric over the edges and glue it into place. You may need to make small cuts at the corners to reduce bulk and help the fabric lie flat. Usually a small snip at each corner is all that's needed.

Allow everything to dry thoroughly.

Finish the Inside

To give the cover a polished look, glue a piece of decorative paper to the inside. This covers the raw fabric edges and chipboard while adding another opportunity for color and pattern.

Use clothespins or clips to hold everything securely while the adhesive dries.

Once dry, reattach your notebook pages or notepad, and your custom journal is ready to use.

Turning the Everyday into Something Special

One of the things I love most about this project is how easily it transforms an inexpensive notebook into something that feels thoughtful and high-end. The stenciled fabric adds texture, pattern, and personality while remaining durable enough for everyday use.

These journals also make wonderful handmade gifts. Teachers, writers, journal keepers, and list-makers all appreciate having a beautiful notebook close at hand. Choose colors that reflect the recipient's personality, add a favorite stencil pattern, and you'll have a practical gift that is both useful and unique.

The architectural inspiration behind Cynthia Silveri's Prairie Harmony stencil set brings a sense of structure and elegance to this project. Much like stained-glass windows and geometric architectural details, the patterns create rhythm, movement, and visual interest. It's a simple project with a surprisingly professional finish—and a wonderful way to carry a little handmade art with you every day.

If you've been curious about StencilClub, members who join by June 15, 2026, will receive the exclusive Prairie Harmony stencil set designed by Cynthia Silveri. Membership includes artist-designed stencils, a project and PDF from the featured artist, an additional members-only project from me, creative inspiration from fellow makers, and a 25% discount on all regular collection stencils.

You can learn more about Cynthia Silveri and her colorful creative work on Instagram at @thepassionatecolorist.

I'd love to see what you create with Prairie Harmony. Be sure to tag me on Instagram at @gluepaperscissors_ so I can see your projects and share in your creativity.


About the Artist

Kim Hamburg is a mixed media collage artist living and creating in Springfield, Missouri. A self-taught artist, she began making collages during the COVID lockdown and has created art daily ever since. Working primarily with vintage papers, paint, stencils, and found materials, she enjoys finding unexpected ways to combine storytelling, texture, pattern, and composition in her artwork. Follow her on Instagram at https://www.instagram.com/gluepaperscissors_/


Thursday, June 4, 2026

Decorate a Journal Cover Using Stenciled Address Labels



Hi art friends, it's Martha and I'm excited to share a project today for my second StencilGirl blog post! This is an idea that was inspired by a mixed media artist named Cat Hand. I saw her video sharing this technique about 10 years ago when I first started doing mixed media and thought it would be fun to try it again. There is a link to her video down below.

I'm decorating a book cover using stenciled address labels. The first step is to choose a book you would like to use and paint the cover. I happened to choose a book that has a cover similar in color to the painted background I wanted. 



Next, it's time to add paint to those label sheets. I decided a mid-century modern theme would be cool for my book cover. Here are the paint colors and stencils that I chose to use.  I've listed the supplies below.



I used standard white mailing labels as you can see. For my project I wanted an off white background on the labels so I used a brayer to cover two label sheets with Titan Buff paint.



The next step is to decide in which order to use the paint colors and stencil shapes. Something to keep in mind if you are trying this project is which shapes and colors you want to stand out and which ones you want to be more in the background. If you are unsure practice first on a piece of copy paper. That's what I did. 

I decided to use the yellow color and this stencil as the first one in the background. This is the lightest paint color I used and it will look nice as a background color. I will use darker colors as I go along which will stand out more.



Next is the orange color. As you can see, I taped off the part of the stencils that I wanted to use. Another tip is to vary the shapes and sizes of the images.



This shape in green adds a nice contrast to the pattern and colors I have so far. Note that I am overlapping some of the shapes. I don't want to cover every single part of my labels but do want to spread out the shapes and colors so that when I pull off the individual labels they will have a nice variety of colors.




Continuing with this curly shape in dark blue. I want these next stenciled parts to stand out more. 



A rectangular shape in magenta is next - another nice contrast to what I have so far. 



Finally, I stenciled the shape that I wanted to stand out the most in turquoise. I love the way these colorful sheets look so far!



The last step before I start adhering the labels to my book cover is to outline and add marks to some (not all) of the shapes with a gold pen. This is optional of course, but I like this look for my project.



Here's a close up of one of the label sheets. As usual it's difficult to photograph the shiny gold, but hopefully you get a good idea of what they look like.



I used a thin layer of gel matte medium to adhere the labels. Starting on the right side of the cover I moved left in perpendicular rows toward the spine. Each row is staggered a bit and I left a small gap in between each label to create a tile like pattern.




This is what the front of my book cover looks like before I trimmed the top and bottom. I let that dry really well then followed the same process on the back cover, leaving the spine area open. 



Here is what my final project looks like. I like to add a closure to most of my journals (also an optional step) so I attached a couple of charms to a black elastic. I wanted to keep it simple so as not to detract from the busy and colorful patterns on the cover. I really love the way this bright and happy cover turned out! I have not worked on the inside yet, but plan to use the pages on the inside of this book to do some art journaling. I hope you're inspired to give this a try. There are so many different options with colors and styles.




Suplies Used:

Hardcover book
Paint
Address labesls
Stencils
Make up sponges 
Paint marker
Gel matte medium
Scissors


Stencils Used:



I recorded my process if you'd like to watch the video:




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