Showing posts with label Heart stencil. Show all posts
Showing posts with label Heart stencil. Show all posts

Thursday, December 10, 2020

NEW DESIGNER: Darlene Olivia McElroy's Ribbons & Relics



 
Darlene Olivia McElroy's Ribbons & Relics stencil series (each stencil is 6" x 6") is inspired by her love of the mystical, symbols, and ribbon shapes that tie a story together.

She has shared her creative process with these stencils using paper clay, metal, microbeads, and a variety of paints, as well as showing deconstructed stenciled elements. 

Heart in Hand - This symbol represents the love of fellow man and generosity and helpfulness towards others.


Darlene says: In addition to stenciling with paint, I love stenciling with colored molding paste or by sprinkling glitter or microbeads to a stenciled shape made with gels in order to get depth. Below I used green paint mixed with light molding paste. It gives depth but also allows me to sand it when dry.


If I use this technique on a sheet of polypropylene plastic, I can give my stenciled images multiple uses by deconstructing them. These microbead stencil pieces were removed from the plastic and added to a painting to give it depth and interest.




I used all the stencils in the Ribbons & Relics series to create the container and backs of a Tarot deck. The container lid was created by brayering Heart in Hand on Apoxie sculpt to emboss it then adding the leftover pieces from the microbead deconstructed stencil (above). Anyone who knows me knows that I love the perfection of imperfection and I strive for that even when using a stencil.




Thistle & Ribbons - It represents strength, durability, and determination. The ribbons around the thistle show how delicacy and strength can complement each other.


Layering stencils creates a beautiful ornate look. Three stencils were used for this piece; Thistle & Ribbons and Hearts Afire as well as the S-Curve stencil by Daniella Woolf S-Curve Stencil. After the light molding paste was dried and slightly sanded, a wash was applied to it (left). An open acrylic dark blue was applied and while still wet paper was laid on top and rubbed down. The paper was pulled off to reveal the blue print (right).


When the paper was pulled off from the print, the blue paint was left in the recess areas. The panel is now ready to have color added to the thistle and some of the ribbons.




Perched Crow - Growing up around crows, one sees their power, intelligence, creativity, resourcefulness, and playfulness. Crows find treasures in trash, are mysterious and sacred, and in some cultures have possessed magical qualities.



In addition to stenciling on my art, I also will stamp with the excess paint that is on the stencil. I do this either on paper or on the plastic covering my work table which will become a paint skin at some point.


This piece of art was created by placing Creative Paperclay on a wood panel, brayering it flat then laying my stencil over the clay then brayering it again. It creates a nice embossed surface. When the paper clay dries, it was sealed with polymer medium. When dry I sprayed it with Foil (metallic silver) spray paint by Krylon added a black stain to age it. This gives it the look of real metal.




My Heart Afire - Love and passion are the reason for living. The first known depiction of a heart as a symbol of romantic love dates to the 1250s but it exists as a contemporary symbol today.


I am continually creating backgrounds to use on the spur of the moment. This one worked so well with the Heart Afire stencil. The ribbons picked up the loop shapes in the abstract.


If you have ever taken a printmaking class, you know how much fun collagraphs are. By making a raised stencil using either a polymer gel or molding paste (on right), it can turn into a collagraph in order to making wonderful grunge prints. Apply paint to the raised stencil then lay your paper face down on top of the wet surface and rub back of paper with your hand or a brayer. I prefer to use Open Acrylics as it slows down the drying time.



Hummingbird Bouquet - Nothing makes a garden come alive other than the arrival of the hummingbirds. I am amazed how something so tiny can migrate so far, survive the predators, and give us such pleasure.



I love the storytelling qualities of painting and stencils. The more layers in your work, the more depth the narrative has.



Years ago a student asked me what stencil I used for my ribbon designs in my art. I was painting them by hand but the question led me to design these stencils. I like the idea that I can use the stencils as a complete piece or deconstruct them to use all the pieces individually.



My friend Judy has become allergic to acrylic paint so tried using my stencils with watercolors, colored pencils, watercolor pencils, and spritz paint.



How will you tell your story with Ribbons & Relics by StencilGirl's newest stencil designer, Darlene Olivia McElroy?

Tuesday, December 6, 2016

Karen Gaunt 's Embroidered Heart



Hello again StencilGirl fans it's Karen here with another Team Tuesday post and I'm exploring my darker side today with some embroidery and Pam Carriker's Gross Anatomy Stencil. I'm very partial to anatomical design so this stencil is one of my favorites.

Gross Anatomy Listen to Your Heart by Pam Carriker

So to start off with you will need an embroidery hoop, I've used a seven inch one here, some light colored fabric and an embroidery marker. These dissolve with water so the lines are easily removed after you have finished working on your piece.


I'm going to paint my fabric before I embroider onto it and I've been using a lot of watercolor and inks on my fabrics before embroidering on top of them. Using a water based paint or watering down some acrylics like I've done here won't stiffen the fabric too much. It can be very hard to get the needle through the thicker acrylic paint.



I've lightly drawn around the inside of the hoop so I've got a guide to paint onto. I want my color to stay on the outer edge of the hoop and fade into the middle.


I've wet the edge of the hoop line with a paint brush first and let the ink bleed into it. You need to just relax about this part. The color will go where it wants and it can be a little tricky to control. I did water down my ink when I painted it on. You wouldn't think it from looking at the photo here but just look below once it had dried.


Yes, it dried a LOT lighter so I went over it a few more times to build up the color until I was happy with it. 


Here is the color all dried after a few extra layers of ink and acrylic. I love the way it's blended into the middle. Keep going with the layers letting them dry in between so you can build it up gradually.


I've drawn around the outside of the stencil with my water marker so I have an outline to embroider around. I've just used a simple back stitch to outline the heart.

To stick with the black and red color scheme I've used the same colors in my embroidery floss. I've stitched different areas in the two colors and blended one skein of the black and red together to give a two toned effect on some sections.

I love the way the color has bled into my stitched section as well.


I hope you enjoyed the tutorial and that you'll give some stitching a try too with some of your stencils. Back stitch is a really simple stitch to master and you can do so much with it once you get going. I love finding new ways to use my stencils outside of the norm and I hope you'll be inspired to try something new too.

Karen