Make the Most out of Your Stencils and Paints - by Claudia Neubacher

Hi, servus and thanks so much for stopping by! 

Today's project is all about making most of the paints you are using with your stencils. The artwork that resulted from this task is a tiny folder holding a series of stencilled, stencil-printed and stencil-paint-residue-smudged and -rubbed (yes, I've obviously just invented these words) ATCs and I will explain all of these techniques in this post (though there isn't too much "magic" or "technique" involved honestly). As always I went for a project where I would embrace any imperfections that I would meet on my creative journey (and as I have already mentioned that a good deal of smudging has been involved, imperfection was certainly expected and hoped for) - and that led to some beautifully textured layers. 

I especially love how the folder turned out! 

I have of course done all sides of the folder (and had to pay attention to not accidentally do the front cover upside down!), but I will share images of the other sides later. First I want to talk about the set of ATCs which were inspired especially by one of the stencils I had quite randomly picked to use for my happy messy session with various spray paints:

The stencils I've used were: 

Sea of Skiffs Mini Stencil (M109)

and 

Fort Hill (M380)

by

Rae Missigman

Twisted Forest (S914)

by

Cynthia Silveri

and

ATC Mixup -  Carriker (L651)

by

Pam Carriker

...and it was Pam Carrikers head design on this stencil which inspired me to do an ATC series all about heads and what's in them (or comes out of them...). The fact that this particular stencil design also comes with the mask makes this stencil even more rewarding and versatile to play with. 

Building up layers by not only applying paint through the stencil but also using the paint that's then left on the stencil to make a print is great fun - and not a single drop of your spray paint gets wasted. I even used the paint residue on my craft mat that came from the cap of my blue spray paint (I had shaken the bottle too wildly so some of the paint oozed out and the cap left a blue paint circle on my mat) and took a "print" from it. 

But let's start with the first initial layers:

I worked simultaneously on the tiny Kraft folder and eight white ATC blanks. On these I used whatever spray paints I had at hand (Ranger Dylusions - white linen, Distress OxideSpray Paint - marmalade spice, Tattered Angels Glimmer Mist - Teal High Heel, I Zink dye spray - Cerise) and the only acrylic paint on this project that came in a jar: yellow Pantheon Paint (a gift from my wonderful boss, MaryBeth Shaw). The picture above shows the very first layers on the folder. I heat dried these so I could continue with applying the yellow paint through the sequin design stencil using a silicone brush. 

The silicone brush kind of forces the paint under the stencil, so you get a beautifully smudged result (if you prefer crisp and tidy designs and edges, you better apply the paint with a stipple or stencil brush or a sponge). The picture shows the smudged on (yellow) layer to the left, on the folder. The result looks a bit like fish scales (which I absolutely love). 

Then I used the left over paint on the stencil to print with it (by flipping it over) and add a base layer to the ATC. To fill in the circles with the brighter yellow I used a baby wipe and rubbed across the stencil (that was still in place) in circular motions. This gives a smooth pastel-like effect (and you are cleaning and using your stencil in one go).

I did the same with the teal Glimmer Mist on the Fort Hill stencil: first I sprayed some hills through the stencil to my folder's front cover...

...then I printed the (blue) negative space around the hills to a different background and finally I did the baby wipe smudging on another ATC blank.

Actually the only paint that was "wasted" throughout the whole project, was the one that got soaked up by the baby wipe. But everything else went on one or the other ATC - either printed or (baby) wiped. 

Another thing I found gave a cool result, was to apply spray paint to the head mask and print a head image with trying to keep the paint drops visible. Usually you print with a sprayed stencil by flipping it over, putting it in place on your substrate, then covering the stencil with a sheet of paper (or kitchen towel) and rubbing thoroughly to divide the paint evenly. 

This time I just picked up the sprayed mask with a pair of tweezers and put it face down on my ATC blank without adding any pressure at all. I just let it sit for a few seconds and then lifted it as gently as I could. 

Afterwards I "cleaned" the mask on top of another ATC with the baby wipe. This way the smallest amount of left over paint gets transferred to the paper around the mask. This is perfect to create soft transparent layers on top of printed or stencilled ones. 

Some of the results so far: 

I wanted to find out how the Distress Oxide Spray paint would behave when being layered onto different paints and substrates. I used it together with the Twisted Forest stencil on one of the folder's cover insides (and really like how it looks on the Kraft card stock). I layered two stencils this time and put the head mask on top of the forest design. This way I ended up with a clean head shaped area on the folder and two misted stencils to use for printing.

I picked two of the ATCs that already had stencilled or printed base layers on them and put them closely side by side  as I wanted to get two halves of a printed head in one go. 

Voilà!

I didn't think too much about which print or baby wipe layer was to go where - I just played and went by what I felt was the most fun, interest or contrast needed.  And (of course) my favourite ATC from the series turned out to be the one that I additionally cut from the sheet of protective paper (and which therefore had come together totally by accident and without any thinking at all).

Some final touches were added by going in with the stencils or mask again and trace some of the designs with a black Faber Castell fine tip PITT artist pen. With some of the ATCs I also shifted the stencil/mask on purpose, so the heads or hills didn't all just get a neat outline but some visual interest instead. 

Last but not least I also added some splatters and scribbling directly with the nozzle from a black acrylic spray paint and some cut out words (matching the "heads" theme) from old dictionary pages and collage papers. 

I think I will continue doing ATC series that go into separate folders each as I really like the concept of having themed ATCs stored in a visually matching folder. 

By the way: I've used a die cut folder (the one from the Tim Holtz "Specimen" Thinlits dies set), but you can just as easily cut out and fold a fast one from recycled sturdy envelopes or thin cardboard. This way not only paint residue on stencils gets a new purpose ;)

Of course I want to also share all sides of the folder - starting with some close up shots and then the back, the inside and finally the front cover again. I hope that you like this as much as I do and that I could encourage you to go wild with spray paints, silicone brushes, baby wipes and your favourite stencils! It's a great deal of fun (have I already mentioned that?) - you'll see! 

Once more thanks so much for stopping by! I hope you have enjoyed your visit!

Hugs and happy creative times!

Claudia 

xxx

StencilGirl Stencils + Molding Paste = A Match Made in Heaven!

Hey there! I am Kristin Williams of Ephemera Paducah, home of the Everyday Artist! 

Nothing goes hand-in-hand as well as Molding Paste (same as Texture Paste, Grunge Paste, etc.) and Stencils. There. I said it. If you’ve never used it or haven’t used it in a while, this is the post for you.

Molding or texture paste dries hard and adds dimension to your surface design. 

This medium provides a wonderfully adventurous and welcoming surface for inks, fluid acrylics, regular acrylics, or whatever liquid medium you want to flow through it. If precision is your jam, quit reading. You cannot control this beast. You LITERALLY have to go with the flow.  

Before we get too far, if you want to watch a super real, mistakes and all, not a lot of talking video about my process, click here. For a description and photos, keep scrolling. 

When I finish or nearly finish a journal, I ponder what I want on the front of it. Because of its versatility and interesting outcomes, most often I’ll reach for one of my favorite detailed stencils and some Molding Paste. I tend to do this at the end of completing a journal because it creates a bumpy surface and journaling, for me, is a messy process. I don’t want to mess up the front. 

You can also use it on paper (I have an affection for tags) as well as canvas or wood surfaces. I use the tags in my art journaling or collage. 

I mentioned grabbing a detailed stencil and this is my personal preference. I like all the little bits, textures, and shapes a detailed stencil provides. You can use any stencil with Molding Paste but beware the larger the area of the medium, the greater the risk for cracking or flaking during usage of it. 

Generally, I have a stack of deli paper on hand to put behind the covers of the journal creating a barrier for the pages within. It’s not foolproof, but it helps. 

Using either a palette knife or one of my favorite yellow Bondo scrapers I pick up at Harbor Freight I spread the paste through the stencil much like icing a cake. I hold it down with one hand and spread it with the other. 

OF NOTE!! Although I generally do not wash my stencils, I always have a pan of water handy when I am using stencils with Molding Paste. You don’t want that stuff to dry in your stencil and ruin it. You also don’t want to run the dirty water down your drain. Wash your stencil in the pan and then throw the pan water outside. 

Because I’ve heard of people being impatient and ruining their surfaces by painting or manipulating too soon, ahem, I let my paste dry on the surfaces overnight. A good trick is to work with it your last hour of the day making art and then leave it to dry. 

The next day I feel all over where I have applied Molding Paste without rubbing. I just lay my hand on the textured areas. If anything feels cold that means it is not yet dry. Once you can confirm all is dry, the fun starts. 

A twofer trick I’ve learned for this next step is to create a pile of book pages, ledger paper, scrapbook paper you hate, and other ephemera (10-12 pieces) and put it underneath where you are working. Trust me, there is a method to my madness. 

Get any kind of drippy medium - acrylic inks, sprays, fluid acrylic paints — and hold your piece above the pile. Squeeze some color directly on it and then attack with your water spray letting the drips fall where they may. Periodically toss your pile of drip-catching papers and blot your Molding Paste paper onto the pile. You can even pick up colors other than the one you are working with. 

By doing this, you end up with a great load of collage paper!

Once you get to a look you like with the runny mediums, set your work aside to dry. Separate your collage papers pile so they don’t stick together. 

 

Thanks for reading and as I said at the beginning, there is a warts and all process video you can take a look at here.