Showing posts with label handmade book. Show all posts
Showing posts with label handmade book. Show all posts

Tuesday, December 12, 2023

Enjoy this blissful moment- by Jane Bellante

Hello everyone!  Jane Bellante here - back with one of my favorite ways to use my stencils and masks.

I love using sprays of all kids, and the Oxide Sprays from Ranger are no exception.  For this short but sweet tutorial, I grabbed my Longwood Florals Mask (which has become one of my very favorite masks lately!!), and the Kitsch Flamingo, Walnut Stain and Vintage Photo Oxide Sprays.  

I'm using some handmade paper that has bits of flowers in it.  It's rather thick, so I wanted to explore how the sprays would react on this particular paper.  


I sprayed through the mask, and then I flipped it over to get the negative on the right.  I just love the contrast here!



The Oxide Sprays sunk into the paper, but the paper is thick enough that it did not totally saturate the back of the paper - which I loved because my final plan was to bind this into a little book.


Next, I grabbed some rub on transfers and some words and created a little fairy land on top.  I adore how it turned out!


You can watch the full (and quick!) tutorial right here, and you can also see the gorgeous eco paper from Jeanie Barnes that I used for my book cover.  It is soooo pretty!!!


Supplies Used:


Kitsch Flamingo, Walnut Stain and Vintage Photo Oxide Sprays

Rub on transfers

Random words

Eco Paper from Jeanie Barnes

Waxed Thread

I hope you enjoyed this tutorial and that you will experiment with sprays and StencilGirl Stencils.  It's a never ending exploration that I just love!

You can find me at janebellanteart.com and @janebellanteart on all social media platforms.  

Thank you for being here!!

xo, 

Jane











Friday, April 21, 2023

Haiku ATC Booklet to Add On - by Claudia Neubacher



Servus, hi and thanks so much for stopping by today! 


I am sharing a small (you could almost call it tiny) project with you today that I have created using large stencils only. And I did so on purpose. Why? I recently found I have been narrowing down myself in my creative thinking as I have for a long time considered large stencils only going with large format projects. Which makes sense when you are using stencils that have a rather specific design like a scenery or portrait for a example. But when it comes to abstract stencil designs only using part of the stencil is not only an option but also a great way to add some creative randomness to your project designs. And they are great fun to use for mark making. 


So I decided to take that idea to the top and pick the smallest format I know - ATC size! 
The beautiful large format StencilGirl® stencils I picked to create a set of five abstract ATCs were these: 


by
Dave Daniels


by
Seth Apter


by 
Seth Apter

and


by
Jane Monteith


I didn't plan any of the designs for my ATC set. Actually I tried to kind of surprise myself, so I decided to let the results from each step lead the way to the next choice of design, colour or medium. To prepare the ATC backgrounds I picked some old book pages and papers from my stash (the black ATC in the middle shows an old gel plate print done with another StencilGirl® stencil (for this project here). I glued these to the die cut ATCs using DecoArt matte Decou-Page and a soft wide brush. 


Then I "primed" the ATCs by adding random brushstrokes using DecoArt "beige" Chalky Gesso and DecoArt premium White Gesso. I didn't overthink this step - I just made sure I had both colours on each ATC and that these overlapped in some spots. 


Once that had dried I added a layer of translucent PaperArtsy Fresco Finish Chalk Acrylic "Chartreuse" on top. Before the paint dried I wiped most of it back using a baby wipe. This way the ATCs got kind of "tinted" and all the detail underneath still showed through. 


I wanted my first stencil-layer to contrast the cold yellow-ish tint, so I picked the "Teal High Heel" Chalkboard Glimmer Mist from Tattered Angels for the next step.


On my craft mat I misted the stencil with the spray paint and then pressed the ATCs face down into spots I thought would create a great pattern. This way I got some really cool random designs! 


I repeated that step with a different stencil. The picture below also shows that I always try to use up all the paint that I have used. In this case I also pulled a print using a sheet of printer paper (the one to the right). The paper to the left is the one I had in my splatter box when misting the stencil. 


It's always nice to have some self made papers for future projects, isn't it? 

Time to add some focal elements! I used DecoArt media Carbon Black acrylic paint and a small stipple brush to only use single elements from Seth Apter's stencil. I thought they looked a bit like calligraphic elements - which was a perfect design to use for my little Haiku ATC Booklet. 


In some spots I only used half of an element to create an interesting border...


Finally I needed a colour that would really pop and contrast the cool blue and yellow - so I went for a bright Cadmium Red (I grabbed a cheap acrylic paint from a set bought at the dollar store as I knew it was translucent too). 

For more interest I added some doodling using black and white pens.


I found my ATCs still needed some texture - so I used the left over Asian book page and cut out some strips to glue in spots that I thought were missing visual interest. 


To finally visually fuse all the elements I added some scribbling in black (using the nozzle from the DecoArt "Carbon Black" Mister) and sprinkled on some "White Linen" ink (again using the nozzle) from the Ranger dylusions ink spray paint. 


During drying times I had die cut five more ATC blanks from lightweight sketching paper and written five of my own favourite haiku on them. 


I glued these to the ATCs' backsides using matte DecoArt decou-page again. 

I wanted to create a binding for my ATC booklet that would allow me to add more pages whenever (and how many) I wanted to without having to take the book apart or something like that. So the easiest way was to create fabric hinges and always hinge the following page to the previous one. My search for a thin ribbon wasn't successful, so in the end I cut some pieces of fabric from one of my painting rags. 


The first and second page were easy to assemble....I used more matte Decou-Page as it dries really fast and holds really well. 


While pages one and two were drying, I already glued the hinges to all the following pages and let these dry thoroughly (I also used my heat tool to make sure they were completely dry).


Adding the following pages made me search for something I could stack so the two pages that were going to be fused would lie evenly. I found some MDF blanks to stack and these worked pretty well. 

It was a bit of a fiddly job, first adding the glue to the exact spots on the pages, then to the fabric "tab", then putting it all together in the right spot and adding more glue on top, but I knew I wanted all the pages to really hold together as fast as possible, so I could add a lot of haiku pages in the future. 


I made sure I let the fabric hinges dry in a way so they would not get glued together accidentally (which would make flipping and opening a page impossible without tearing some part of a page off) - so I let my booklet dry like this - with all pages opened: 


Once all had dried, I "faked" some stitching on the fabric hinges by doodling it on with a Faber Castell PITT pen. 


This is how the binding looks once all is done and dry: 


And this is the finished booklet (well, actually it was really finished once I had glued a little strip saying "haiku" to the front page). 



To keep my Haiku ATC Booklet closed I fixed a vintage button to one end of a piece of rough string and wrapped that around the pages. 


You can "read" the book in two ways...holding it in portrait format to look at the ATCs, or in landscape format to read the haiku. 


I love how the first five pages form a visual unit - bound by colour scheme and design - and that the next set of ATC pages will add a different "block" of visually fused pages...and so on. My haiku collection will grow slowly but steadily and I hope for the booklet to become really thick one day...a chunky collection of visual art and poetry...


You could also use this kind of booklet to collect affirmative quotes for example...or to note your favourite peoples' birthday dates in...well, I am sure you will find a lot more creative and useful ways for a booklet like this. But in the first place it is a beautiful way to display and collect your own ATC art - created using large stencils. ;)

Claudia x








Tuesday, August 3, 2021

Painted Paper Handmade Book with Kirsten Varga




Have you signed up for Mary Beth's Painted Paper Party class yet? 
It's amazing and full of inspiring techniques to create your own decorated papers. 


Hi from Kirsten!

I enjoy the process of making my own decorative papers to use in my art. It can be playful and meditative. You can get into a creative flow that takes your mind off your worries and you are rewarded with a batch of yummy papers with endless applications! Whether you use them in collage, art journaling, or handmade cards, you can create something totally unique.


After creating more than a dozen papers I decided they needed to be combined into a luscious book that I will turn into a mini art journal. (Those of you that are familiar with my work know I have a passion for handmade books and I want to share another structure inspired by book artist Alisa Golden. (You can check out my previous post for another Alisa Golden-inspired book.) 


She calls this structure an Album Accordion Book. It is a clever way to create a chubby accordion book without the use of a super long piece of paper! I made mine thicker than her example with an added folded detail on the cover fore-edge. 




Check out the video below to see a peek into my process:






I hope you are inspired to create!
Thanks for joining me on the StencilGirl® Blog for another bookmaking adventure!
Kirsten


You can find me on Instagram.










StencilGirl® Stencils used:

    MB's Grid Stencils by Mary Beth Shaw - SET9
    Stockinette Large Pattern by Pam Carriker - S572
    Complementary Stencil by Pam Carriker - S116
    Swatch Grid Stencil by Rae Missigman - L826
    Wood Carving by Chris Cozen - L752
    Soulful Scribbles by Traci Bautista - L608
    Interesting Dots Repeating Pattern by Jennifer Evans - S769

Other supplies:
  • Text weight paper (I used some A4-sized paper from my stash but Letter-sized works too!)
  • Cardstock 
  • Acrylic Paint
  • Water-soluble crayons
  • Distress Oxide Sprays
  • Prismacolor Ebony pencil
  • Acrylic Inks
  • Brayer
  • Cosmetic wedge sponges
  • Paintbrush
  • Paint scraper (old gift card, Catalyst wedge)
  • Ruler
  • Craft knife
  • Bone Folder
  • Scissors
  • Binder clips
  • Adhesive (I used PVA)
  • Corner Rounder




Tuesday, June 8, 2021

Woven Concertina with Kirsten Varga

Hello creative friend! My name is Kirsten Varga and I am sharing some bookmaking goodness with you on this my first post as a StencilGirl® Creative Team member here at StencilGirl Talk


When I am making a book I am in my happy place. It's the variety and neverending possibilities that keep me coming back. It's a satisfying feeling to hold a finished book that YOU made in your hands. The content can be whatever you dream of and a book's multiple surfaces help to tell your story, using whatever combination of words, pictures, color, shapes, or texture that make your heart sing.


My inspiration for this project comes from book artist Alisa Golden. Her book, Painted Pages, contains many beautiful projects and the Woven Concertina called my name. I like that it is similar to a Jacob's Ladder structure but easier to construct. It only takes one large piece of paper!


Check out the video below to watch me bring this Woven Concerntina to life and I hope you will be inspired to make one of your own.


Stencils used:



Other supplies:
  • One sheet of Canson Bristol paper 19x24
  • Acrylic Paint (I used Golden® brand)
  • Acrylic Ink (I used ink by F&W)
  • Fluid Matte Medium
  • Wax crayons (I used Neocolor 1 water-resistant wax pastels)
  • Collage papers (I used dictionary pages and old sewing patterns)
  • Teflon craft sheet (to protect my work surface)
  • Paintbrushes and cosmetic sponges to apply paint
  • Bone Folder
  • Ruler
  • Craft knife
  • Scissors
  • Adhesive (I used a Scotch ATG tape runner)


Thanks for visiting the StencilGirl Blog! 
You can find me on Instagram.