My full time job is working for
an art supply store in Fresno. We carry a line of paints which I had never seen
before starting to work there that are for airbrushing. The brand is ,
and although I know nothing about airbrushing, I knew I had to figure out how I
could use these paints in my artwork because they are bright and shiny and
beautiful. I bought a bunch and experimented with doing paint pours with them months
ago, and they came out really well. I
decided I would use them again to do backgrounds for the projects for this
I love the way paint pours look, but I have found that not everyone ends up being a stand-alone masterpiece. If you’re like me and have a stack of paint pours that are lackluster, you can use them as really cool backgrounds for something else. My first step for these projects were to create three different backgrounds, one for each stencil design.
I prepared wooden panels by applying two coats of Liquitex Basics white gesso. I then painted the sides of the panels black with Liquitex black acrylic paint and let everything dry.
Next I prepared the paints for pouring. I poured Liquitex pouring medium in little condiment cups and added one color of paint to each one. The ratio I used was about two parts pouring medium to one part paint.
I mixed each one well with a palette knife.
I mixed each one well with a palette knife.
I added a few drops of 91% Isopropyl Alcohol ONLY to the white. Using alcohol is one way that you can create ‘cells’ in your paint pours. Cells are little bursts of color that can magically appear in a paint pour if you include an additive such as alcohol or silicone. I only added it to the white because I just wanted get a little action. You can experiment with mixing more or less and in more than one color if you do this yourself.
I then took all the mixed paint in the little cups and poured them together into a bigger one. I poured them gently into each other to avoid mixing them too much. This is called a "dirty pour."
Then I flipped the cup over onto the canvas and lifted it. I helped the paint along to cover the entire canvas by tilting it back and forth. All the beautiful colors cascaded over the canvas and danced with each other to create beautiful patterns that would make excellent backgrounds for my stencil projects. I went to sleep that night being very satisfied with my work!
When I woke up the next morning, however, my pours had changed considerably. As it dried overnight, it crackled. Like, a lot. It was definitely not what I was expecting to see. I kind of liked the effect, but I knew it happened because something wasn’t right. Like I said, I had paint poured with these airbrush paints before on canvas and they came out great, and I regularly use alcohol and it has never caused a problem. I was stumped, so I turned to a few paint pouring experts to help me figure out what happened. We came to a consensus that it was probably the gesso that I used underneath being too dry. I may never know the exact answer for sure, but now I was faced with the decision of whether I wanted to scrap this project and start over or try to save the work I had already done, and I opted for the latter.
I actually liked the crackle effect so I decided to try and go with it. I took a white Posca paint marker and traced my stencil design onto the piece.
I then used other Posca paint markers to color in the lines.
As you can see, the crackles can still be seen through the paint and I wasn’t really happy with that. Plus the crackles in the background were really white which I thought competed with the dog. So I decided to make a few more changes.
First, I poured some Createx paint onto a sponge and rubbed it into the crackles to tone them down. The paint is very thin so it soaked into the crackles nicely and wiped off of the raised areas easily.
Next I took some Golden Gloss Gel and used my finger to rub it into the crackles to even out the surface.
Once I got an even coating on this guy, I went back over him with the paint markers again and he looked so much better! I finished the other two and now I have a set of three pieces that I actually like quite a bit. I’m glad I pushed through and didn’t get frustrated and give up. Sometimes you learn the most by making mistakes, so you should never be afraid to make them. As Bob Ross says, there are no mistakes in art, there are only happy accidents. And the crackle effect that I ended up with here was definitely a happy accident!