Check it Out! New Designs from Carol Weibe!

Always Reaching (LL1012)

Floral Grid (LL1013)

Leafy Loveliness (LL1014)

Carol's stencils are available now at stencilgirlproducts.com

Inner Goddess by Linda Edkins Wyatt

I've always been fascinated by faces, but they're a bit tricky to draw from scratch. I admire the courtroom sketch artists who can capture a moment, and an emotion, with a few strokes of the pen. Fortunately, for those like me who can't always get the features exactly right on the first try, there's a lot of StencilGirl® face designs to help create a foundation for a portrait.

There's an ongoing conflict inside my head between my inner critic and my inner goddess. The inner critic tries to tell me that I'm boring and ordinary, a nervous wreck, and an artistic fraud. The inner goddess wants me to breathe deeply, channel the emotions from my brain into my fingertips, and just paint. And while on the outside I'm kind of an average-looking, all-American woman next door, on the inside I'm an exotic and daring soul, a world-traveler and feisty spirit.

I decided to paint my inner goddess, so I started with a big sheet of 12" x 18" watercolor paper, coated it with white gesso and let it dry. I chose a fairly large size paper because I wanted to have plenty of room for crazy hair and some interesting clothing.

After the gessoed page was dry, I used sepia archival ink with a fingertip dauber through the Mystique stencil by Andrea Matus deMeng to get the eyes, nose and mouth in the right position on the page. Then I sketched a circular face shape and added lines for the neck, shoulders, and hair.

A lot of people are afraid of ears. They are a little tricky to draw, and many people just paint long flowing hair so that they don't have to worry about the ears. My goddess wanted big ears for good luck, like Buddha has, so I used Pam Carricker's Hear Journal Sense stencil, positioned it on the right, and stenciled it with sepia archival ink. I flipped it and added the left ear.

Once I had the facial features in place and the hair, neck, and shoulders sketched in, it was time to paint! I mixed up some flesh color and got to work.

For the hair, I wanted something wild and flowing, but more interesting and textural than plain brush strokes. 

I decided to paint in a dark color for the hair shape, then use Gwen Lafluer's new Turkish Bronze Boho Blend through Jessica Sporn's Lacy Lotus repeat stencil. I taped off one perfect lotus shape and repeated it around the page. The embossing powder has flecks of bronze and added a beautiful shimmer to the hair texture.

It needed a background, and a contrast with the hair, so I chose a stencil that resembled tile, Maltese Mix by Michelle Ward. 

To add even more contrast and texture, I used white crackle paste through the stencil. I strategically placed tracing paper and painters tape over the areas that would not be stenciled.

With the golden brown skin color and flowing hair, she began to have a feeling of a Gauguin woman, yet the addition of the crackled white tiles gave a feeling of North Africa too.

My goddess was shaping up nicely. Here's a detail shot that shows the many textures.

I debated about what to do for the very bottom of the painting: should I add a dress? A necklace? A neck tattoo? Leave it as it is? Finally, I settled on creating yet more texture. 

I wanted to suggest delicate lace, so I combined several stencils and applied them with fine white Wow brand embossing powder. 

I used a paisley shape from Laurie Milka's Pilgrimage to India stencil along with Gwen Lafluer's Art Deco Corner Medallion and an older favorite faux smocking design from the April 2013 StencilClub. I added a few white painted dots to fill in the empty spaces and also suggest sheer dotted Swiss fabric. I strategically taped off the space as I stenciled to maintain the crisscross effect in the bodice.

Last, but surely not least, I added a crown. I experimented with quite a few crown ideas and finally settled on a triangular stripe from Laurie Milka's Pilgrimage to India, applied with hampagne-colored embossing powder. It was the perfect finishing touch for my Inner Goddess.

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The Tactile Sacred Feminine: A 3D Stencil Project

For months I’d been eyeballing a certain set of stencils that I had purchased from StencilGirl® but couldn’t quite get it together. My eyeballs were bleeding from trying to will the stencils into art. I’m sure that you understand that sometimes the Muse just isn’t home. In fact, she may very well have decided to elope with Creativity—two loves with harmonized desires escaping the constant grabbing of the artist’s demands. When that happens, we have to do a little mus-ing ourselves. My mus-ing came in the most surprising manner—and it has to do with sales. I admit that I am a craft store junkie. In fact, my family knows that when I actually do leave the house, I am most likely hitting the craft store triangle (think Bermuda triangle here). No, it cannot be just one store. It has to be three. I might miss something if I fail to visit all of them. But, then, you know that already, don’t you?

It so happened that I was in one of those stores one day and noticed that the terra cotta clay pots were on sale—50% off! I had no idea what I would do with one but it was on sale! So, I bought the clay pot, took it home, and proudly displayed it on the breakfast table currently heaped over with creative inspiration (think overflowing, husband-is-going-to-go-red-faced-if-he-has-to-eat-in-the-living-room-one-more-time creative inspiration). “Oh, my,” I said to myself out loud one morning. That was after the pot told me what it wanted to be. So, I set out to dress it up, and what a dressing it received! Have you ever had that moment of surprise at how brilliant you believe yourself to be? Yes, that was me that morning.

Here is the clay pot sans makeup:

After walking around the table and thinking about that pot, I got the inclination that she wanted to be dazzling and historic. And, then, those stencils I had been thinking about for a while popped into my head. It also didn’t escape me that the mythology class I had just begun teaching might have had a bit of an influence on me. I rushed to my stencil albums and started flipping through my stash. I pulled out one stencil, then another, and yet another. I auditioned those babies until they sang to me. I began to lay down the underlayer by coating the pot with white gesso then dotting it with black circles using my large round dauber. I also painted the lip of the pot black.

                         

Next, I used the dauber to paint a couple of layers of dark plum on the rest of the pot. Two or three layers will do the trick. However, note that the more layers you use the less you will see the black spots underneath. When I used my dauber, I worked all around the pot so that I didn’t get too heavy-handed in one area. The intent is to create the idea of depth in the piece. 

Once the dark plum was completely dry, I embossed the circle design from the Greek border stencil, then the goddess from the Sacred Feminine stencil. From there, I added the borders on the top and bottom also using the Greek border stencil. After looking at it for a few days, I decided it needed one more element, something subtle, so I added tiny circles beside the goddesses using the open dots on the ATC Mixup #2 stencil. It made a huge difference! (You'll see the dots in the final photo.)

                           

Because I think of gentle breezes and soft, gorgeous flowers when I think of Greece, I wanted to create a floral design that was natural and simple yet luscious. I glued a Styrofoam vase insert to the bottom of the pot. Hint: Do not use E6000 for this. It will melt your Styrofoam. Instead, Aleene’s tacky glue works great. Next, I added some brown decorative Excelsior so that it would really offset the lighter flowers. To create the floral design, I added a sprig of leaves, some natural curly Willow, and a cutting of some pink blossoms. Let it be said that the Muse was totally surprised that Creativity left her for me when they both returned.

 

The beauty of this project is that, with a simple change of stencils, you can evoke a substantially different feeling. I have listed below the items that I used in my project but have also curated some other stencil choices. I hope that you enjoy making your own! And, hey, share your vase project in the StencilGirl® Facebook group and be sure to tag me! I’d love to see how Creativity led you astray.

And now for the reveal!

MATERIALS

Aphrodite Vase

Sacred Feminine Stencil (Carol Wiebe—L598)
Stitch a Greek Border Stencil (Marie McGuire—L198)
ATC Mixup #2 (Mary Beth Shaw—L579)

Dark Plum Acrylic Paint

Black Acrylic Paint

Versamark Embossing Pad

Bright Gold Embossing Powder

White Gesso

Styrofoam Vase Insert

Terra Cotta Clay Vase

Decorative Excelsior in Brown
Silk flower, leaves, and natural curly Willow

CURATED OPTIONS

Western Vase

Protector of the Fields (Roxanne Evans Stout—S407) or

Wolf (Roxanne Coble—L455)

and

Border 9J Stencil—use the stars (Jessica Sporn—L089) (Use the star border.)

Mermaid Vase

Mermaids Stencil and Masks (Jessica Sporn—L527) or

Mermaidia (June Pfaff Daley—L544)

and

DNA Strands #2 Stencil (Mary Beth Shaw—L056)

Geometric Vase

Diamond Dot (Kristie Taylor—L539)

Note: For this design, I would use only the Diamond Dot stencil all around the middle section and then paint the top and bottom edges an alternate color from the color in the middle.

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Anne Marie