Showing posts with label Wendy Bayas. Show all posts
Showing posts with label Wendy Bayas. Show all posts

Tuesday, April 27, 2021

Heartfelt Thanks to Our 20-21 Creative Team!

Greetings and thanks for stopping by today! 

Throughout the unexpected hardships of this past year, these skilled artists put stencils and paint to the surfaces of fabric, paper, wood, and plastic, sharing art projects filled with beauty and grace.

They are the real deal and let their love of art shine brightly for all to partake.

I'm Carol Baxter and I am privileged to manage the team. If you have been reading StencilGirl Talk for the past year, you may be able to match the artwork in the thumbnails below to one of our talented Creative Team members.



Did you guess? A) Sunila & Aditi Mahajan aka Dots 2 Lines, B) Linda Edkins Wyatt, C) Sue Plumb, D) Shel C, E) Peg Robinson, F) Natalie May, G) Geri Beam, and H) Wendy Baysa.

Here's a recap of my favorite projects from each of them. Don't worry. The stencil project links open in new windows so you won't miss a post as you dive into art.

Art journaling and scrapbooking together, Sunila & Aditi Mahajan are the mother and daughter duo who bring us stenciled projects replete with layers bursting off the surface. Their Shadowbox Keyholder is a lovely example of their art.







Prancing hooves, the caress of butterfly wings, a tulip on fire with color, and clown to gather it all in. Linda Edkins Wyatt has a gift for color as you'll see in her art but Circus 19 Dream: A Mixed Media Pastiche is a fine composition.







I do believe I would recognize Sue Plumb's style in a blind show. I finally had to toss a coin between what I finally chose and Art is Good for You because projects for StencilGirl made choosing a fave practically impossible. Graceful blooms adorn many of Sue's artworks but I think the way she treated a single stencil as the focal in The Real Deal is magical. Her process is stepped out beautifully too.




When asked to interpret a theme, I felt pure delight to open an email and find out what the duo of Shel C and Peg Robinson (Art Joy of Sharing) dreamed up using the same stencils.

What Do You Have to Wear to Feel Dressed Today? Shel C had my heart at earrings! If earrings make you feel ready to take on the day, look no further than this post.







One of the best things about looking at art is falling in love with the details, how Peg Robinson was able to make me feel as if the heart was paused between beats by the way she shaded and texturized it in her art journal spread. Check out Passages - Doors to New Experiences.







We Carry You, Natalie May's homage to her grandmother moved me to tears. I love the idea of writing a little story on the back of artwork such as this so when it is handed down it sparks even more memories. Get carried away here.







Whist I adore Geri Beam's fabric and mixed media play, her Circus Tea Cart caused my jaw to hit the floor and stay there for some moments. How she stenciled it is stepped-out right here.




My Pastiche by Wendy Baysa is Wendy doing Wendy and I applaud her! There's a lot of fun to take in as you soar through her art journal spread that gives the viewer permission to grow and isn't that one of the pleasures of art journaling?




Mary Beth Shaw and I give our heartfelt thanks to Sunila, Aditi, Sue, Shel, Peg, Geri, Wendy, Nat, and Linda for always bringing their A-Game. 

You'll see them back as StencilGirl Talk guests!

Happily, you can always find them creating something new on their own platforms. 

Discover Sunila & Aditi Mahajan:

Discover Sue Plumb:
Instagram
Facebook
Blog
YouTube

Discover Peg Robinson: 

Discover Shel: 

Discover Linda Edkins Wyatt:


Discover Geri Beam:

Discover Natalie May:

Tuesday, May 26, 2020

Typography Art Journal Cover by Wendy Baysa


So glad you stopped by! We are excited to introduce you to one of our newest team members, Wendy Baysa, and her first wonderful piece of art as a Creative Team member.






Hello, Wendy here. 

Today I will be working on the cover of this Jane Davenport canvas journal that I picked up for a hot buy at Micheal's for a whopping $6.97! The journal measures 6" wide x 9" tall.
Start by generously applying collage medium onto one side of the journal cover. I used a palette knife but a brush or credit card can be used also. 



Be sure that the collage medium is thick enough to stay wet while applying, this is the trick to get the paper to become translucent. If the glue dries, it will remain frosty white.



The Typography collage paper is also 6" wide so I lined up the edge of the paper with the edge of the cover. 



Apply more collage medium, being careful not to rip or slide the collage paper but you want to be using enough pressure to press out any air bubbles or gaps between the paper and the canvas of the cover. Don't be skimpy with the medium, the wetness will help the collage paper adhere and transform it into a translucent state. 



Optional: If you prefer no brush marks, you can use your finger at this point and smooth the collage medium with your finger. You have a small window of time to do this step if like a smooth surface better. 



I used a sanding block to remove the excess but you can also rip, use water brush or scissors to remove the little extra.




Front and back ~ looks great as is or take it a little further like I did .....



When almost completely dry I started to rub the paper with quite a bit of force and what happened is where the collage medium was a bit thicker and not completely dry yet, the paper ripped up exposing some random solid areas of the canvas cover. Then I let dry overnight. 



I then added scraps of vintage piano paper rolls. This can be any vintage paper you may have on hand but try to stay with solid pieces vs busy (like music). Using this as a neutralizer and taming down the business of all the typography. You could also use gesso or acrylic paint. 



Using the Vintage Typewriter Numbers Stencil by Carolyn Dube L591 I pounced with Burnt Umber only on the vintage paper areas. If you accidentally get some on the white type. paper clean up with rubbing alcohol. I also added random words onto the vintage paper with Now is the Time Stencil by Carolyn Dube L317 both front and back.







I have a brown Stabilo All pencil and added some lines to the stenciling to add another dimension. 



Adding another layer by using a Versimark Brush side marker and Walnut Stain Distress Glaze in random letters. 



Edge the sides using Golden Black Gesso and a blender tool. 



To seal and get the glaze to a matte finish I applied Luiqutex Matte Medium to front and back with a brush.



For the final step a closer~ I poked a hole through with a craft pick and screwed in Idea-ology hitch fastener. Then stapled elastic on the back with the tiny attacher. That's it :) 
Here are a few final shots ..... 







I left the spine blank so I can write on it what I end up using this journal for. 
Thank you for joining me and have a blessed day! Wendy xo 



Wendy's bio:

Wendy says “she is thrilled, honored, and ecstatic to be invited to participate with the talented and inspirational SGCT and is so looking forward to the year”.
Wendy lives in Michigan with her husband of 24 years, 3 young adult children, and a miniature Aussiedoodle named Luna.

Her creative journey started long ago with exposure to many different mediums. Over the years she is self-taught in sewing, canvas expressionism along with a little realism painting, paper crafting, recycling furniture, and home décor just to name a few. Although she does admit to not being able to roller paint walls or knit. Sssshhh, lol. Wendy also enjoys outdoor time which includes grilling, gardening, campfires, and skiing. 

Discover Wendy: www.dabbledoday.com