Showing posts with label oil pastels. Show all posts
Showing posts with label oil pastels. Show all posts

Thursday, August 20, 2020

Art Journaling with StencilGirl® Stencils by Nat Kalbach

Hi StencilGirl® friends, I am so stoked to be here today and I thought I’d share with you my process for an art journal page layering up some of my StencilGirl® stencil designs and using a variety of paint media.

When I designed my Art Deco and Art Nouveau inspired style stencils, I specifically thought about how you could fill in the open space with stamps and hand painted elements, but also how you could layer the same stencil again on top of the open space or some of the other stencils I created in a similar style.

Check out the video to see how my art journal spread came together:

Here is a detail shot of my Art Journal Spread:

Here are the products I used:
Acrylic Paints – I used Golden and Liquitex Acrylic Paints
Acrylic spray paints
Acrylic Markers
Oil Pastels

I hope this video inspired you to play with layering Stencils. It is a lot of fun. Share with me your work using my stencils and tag me on Instagram @natkalbach
Have a wonderful day and stencil on!

Monday, November 20, 2017

Gwen's Gems - Winter Art Journaling with Lots of Layers!

Hi all! It's Gwen, back with this month's edition of Gwen's Gems! I can't believe we're already halfway through November, but the holidays are right around the corner and winter is well on its way here in the northern hemisphere. With that in mind, I wanted to do something seasonal in my art journal so I pulled out my some stencils, collage papers, paints, and a few other supplies and got to work.

Here's how the page came out in my journal:


Ready to see how it all came together?

I opened to a blank page in my journal and started by adhering four large sections of collage paper using matte medium. (These collage papers were made organically over time as I cleaned off my brushes, stencils, and stamps on deli and copy paper.) You can see on the bottom left where I'd wiped white paint off of my Ornamental Floral Screen stencil as part of the process of making the paper.


I finished up the background by adding a few scraps of various papers, including some deli paper that I'd painted and then stenciled with Michelle Ward's Fade Horizontal stencil.

Next, I pulled out the 9x12 from the Into the Woods StencilClub collection by Suzi Dennis and stenciled that onto the background using VanDyke Brown and Titan Buff acrylic paint.


To add some contrast and definition, I outlined the area with a black Stabilo All pencil and teased out a bit of the color with a water brush. From there, I wanted to bring the trees even more into the foreground, so I used gold acrylic paint and some acrylic glazing medium and just used my finger to apply it around the edges of the stenciled design.


At that point I happened to glance over and see a few jars of gold foil, and since I fall firmly in the "more is more" camp, I got out the foiling adhesive and added some onto the tree trunks and branches. (You need to let the adhesive dry until it's clear, then it's ready for the leaf.)


I added my gold leaf and then used a rough sponge to buff it and remove the excess. Needless to say, this made me very happy!

Next it was time to add the bird from my Christmas Cardinal and Holly stencil (which can obviously be used for more than just Christmas!) I started by stenciling it with Claret Staz-On ink on a piece of Italian book paper.


Then I used oil pastels in several shades of red, pink, and gray to add color and highlights to my bird.


I really like the way that you can see the text through the oil pastels! I tore around the design and then used matte medium to adhere it onto my background. Of course, I also wanted to add some foliage to my branches, so I stenciled some holly along the bottom using gold embossing paste.

Once the embossing paste was dry, I took out some jars of stained glass paints by Pebeo and used them to fill in the leaves and berries on the holly.


Next I used the Past Present Future stencil by Seth Apter along with Archival Inks to add some texture and pattern into the background.

Time for a few finishing details... I took out various rust and patina pastes, as well as a black powder by Prima, and used them to integrate the gold foil and add lots of texture and visual interest to the trees - I really love how this worked!


I wanted to add a unifying element as well as the suggestion of snow, so I used my Fineliner bottles filled with Diarylide Yellow and Titanium White (both mixed with airbrush medium) to add splattered dots to the page.

Time for the finishing touch... a few scribbly journaled words (which do say something!) written with gold acrylic paint using a Fineliner tip.


With that, I decided that I probably had enough layers... lol... and that it was finished. I'm now wishing that I'd done it on a panel instead of my journal, but since I was experimenting with some new ideas, that seemed like a good place to start, and I'm really happy with how it turned out!

Here are a few close-ups so you can see some of the details:





I hope you enjoyed today's project as much as I enjoyed making it, and maybe even picked up a few ideas to try with your stencils!

Until next time, Happy Stenciling!
Gwen

Tuesday, March 28, 2017

Blue Roses in Oil Pastels by Kristie Taylor


Hi Kristie Taylor greeting you. I put my acrylics away and grabbed my oil pastels for this painting.

Oil pastels are so rich and creamy and blend beautifully, especially when layered over absorbent ground.

Today I used the Wood Cut Rose stencil by Desiree Habicht as my main image to create a soft pretty spring canvas.  It was fun to use several small stencils to add texture and design to the background as well.

Here is the finished canvas. It is an 8" x 8" deep sided canvas and will make the perfect gift for a friend.


S313 6"x6" Woodcut Roses stencil
Let me show you how easy it was!
Let' s start by giving the canvas two layers of gesso, drying between layers to get a nice smooth surface.


Apply two layers of absorbent ground, dry between layers. This gives a bit of something for the pastels to stick to although, you may not even need this, but I like the way the two work together.


Choose colors that will blend together and color in swatches onto the background.



Use your fingertips to smooth them all together and then, lay down a stencil and use a wet wipe to remove some of the color through the Journal texture #6 stencil by Pam Carriker. this look is very subtle, but I like it.



Rub a contrasting color of oil pastel onto your fingertip and rub through a stencil onto the background. I am using a stencil by Mary Beth Shaw from October 2016 StencilClub.




Don't forget the sides!


Next, we are going to be working on top of this ans rubbing more oil pastels in, and so we don't want it to move. Therefore, we will give it a nice spray with workable fixative (outdoors).


Once that is dry, use your fingertips or a sponge to lightly tap with paint or gess over the stencil. This will give us an outline of the Wood Cut Rose stencil by Desiree Habicht  design to go by.


Choose the color you want the roses to be, and just start laying on color in layers. Start with the lightest color first and build up, laying the darker color in as shadow last, using your fingertips to blend the colors.



I then used a Sketch and wash charcoal pencil to add more shadows and a white 
charcoal pencil to add highlights.



Be sure to spray with one more layer of fixative to seal in the color. And that's all there is to it!


Thanks so much for stopping by today! I hope you will use your amazing StencilGirl stencils to create your own oil pastel masterpiece!
Kristie Taylor

Monday, January 30, 2017

Suzi Dennis: A Little Serendipity with StencilGirl Stencils

Hi, everyone! Suzi Dennis here! I love creating papers to use in collage and/or my handmade journals, and I love to do them serendipitously! I have created this video for StencilGirl Talk using some powdered pigments, water-based oil pastels and acrylics. The stencils I used in this tutorial are Ancient Marks, Letter Mania, Circle Web, and Fun House Checks, all stencils I designed for StencilGirl.

In this video I show you how to use the dry pigments to make them liquid and permanent. I will show you how to do some layering which result in some beautiful earth tones and metal tones, a real old world feel. 
Watch A Little Serendipity on YouTube here.

To see my work and find all my other places go to www.suzisart.blogspot.com. Going there will provide you with links to Facebook, Instagram, Etsy, Pinterest, Flickr and others.

Hope you enjoy and have fun trying this out.

Friday, May 6, 2016

Color Lifting with StencilGirl Stencils and Water Soluble Oil Pastels

Hello crafty friends! It’s Jess Gerstner from JessCrafts.com. I am very excited to once again be guest designing for StencilGirl Products. I love working with stencils in my cardmaking. I also love how you can use stencils with many mixed media products to create great effects. So for today’s tutorial I am combining stencils with water soluble oil pastels.

I wanted to show you a technique that could be used to suit a variety of styles depending on the colors or stencil you use. So I have a few different cards with the same technique.
The video gives you a detailed tutorial but I’ve also written out the directions below for reference.
The stencils I featured on today’s cards are designed by Jessica Sporn: Cascading Feathers, the Scales, and Three Owls and a Branch.

To create these backgrounds I used watercolor paper and water soluble oil pastels to create a base layer. It is important to activate the base layer with water and dry it so that it does not react with the next step. After that, I completely covered the background with a dark color of oil pastel such as black or Prussian blue. Then I put the stencil over it and secured it with tape. In order to get the top layer off, I laid a thick baby wipe over the stencil and rubbed it with my finger. I found that for best results I had to do this two or three time. However the baby wipes that you use end of lifting the stencil design as well and would be great to use in other projects.

Thank you so much to StencilGirl for letting me join you and to all of you for checking out my projects. I hope that some of you will follow along with me on social media.


Wednesday, June 10, 2015

June StencilClub Inspiration!

Hi, everyone! Mary Nasser here today to show you what I did with the
EXCLUSIVE June 2015 StencilClub stencils designed by Cecilia Swatton!

Today I'm sharing what I created for Week 21 of

May’s Theme
Touchy Feely (Texture)
May 23 Challenge & Prompt
Art Challenge: Cheesecloth
Journal Prompt: Say Cheese

I began this page with a layer of black gesso, then stenciled with white acrylic, collaging in more circles I'd punched from Rae Missigman's Scribbles Collage Paper to complement the Crop Circles.
Then I added layers of Dyan Reavely's Dylusions Acrylic Paints, oil pastels, cheesecloth I dyed with Ken Oliver's Color Burst, paint and ink pens, and Katie Pertiet's free card No. 20 download.

Below are detailed photos:



And I've been using Cecilia's new stencils in my small art journal, too!
Having such fun with them!


Below is a detail:


You are going to LOVE these stencils!!

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You can see all the benefits and join StencilClub on our website.

Thanks for visiting StencilGirl Talk!